Wednesday, December 14, 2005

"Mm! This Is a Tasty Burger!"

Despite our best efforts to the contrary, last night Julie and I found ourselves roped into watching Blind Date Fear Factor. You know, it’s like regular Fear Factor only with the humiliating addition of a dating show mixed in. Nonetheless, it was probably the best bit of reality television I’ve ever seen (barring Newlyweds, of course). Why, you ask?

Because of a guy named Mike.

I’m sure you’ve seen Fear Factor before, or at least have caught advertisements for it. People jump from speeding boats, or submerge themselves in shark-infested icewater, or eat as many donkey scrotums as they can without throwing up. Basically, it’s the worst show ever devised and (despite the following phrase being a cliché at this point, it is nonetheless true) Fear Factor’s endurance on television signifies one of the many stages of the downfall of civilization. But, the contest are always pretty, and that—I assume—is part of the draw (presumably, Americans like to see people who are better looking than them get humiliated on national TV—especially if those pretty people are wearing bikinis), right?

Usually, maybe. But not in this case.

In this case, I was all about Mike. Mike is a late-40s dude from the Louisiana bayou. He has a receding hairline mullet, a giant mustache, any of his teeth that aren’t brown aren’t there at all, he’d been bit on the neck by a possum once, he only has two toes on his right foot (the others were lost in a motorcycle accident), his favorite word is “Hooooaah!” and if he won the $50,000 he was going to use some of it to buy a nice wheelchair for his brother who’d been crippled in a tornado.

Mike, as they say, is one of a kind.

But what made him so endearing is that he’s obviously one of the nicest, most upbeat guys you’d ever meet, despite the obvious hardships he (and his kin) have suffered. (When host Joe Rogan noticed that Mike was missing all but his big toe and the one next to it on his right foot, Mike held the foot up in the direction of the camera, spread his two toes apart, and said, “It’s my peace sign!” It was hilarious.) More endearing still was the fact that he’d been paired with the cutest 24-year-old Alabama beauty, and she loved him. This being Blind Date Fear Factor Joe kept asking the four sets of contestants if a “love connection” was forming with any of them. The three other couples (each very attractive in a Fort Lauderdale/Spring Break “hot bod” contest kind of way) were stoically tolerating their respective partners but were by no means smitten. (To help illustrate this, one of the guys fancied himself a crooner of the Aaron Neville variety, and kept singing everything he would say in a horrible falsetto instead of just talking—like, “We-eah are a-gonna wiiin-ah.” It was terribly annoying and his partner seemed to want to strangle him on more than one occasion. Moreover the guy was a total asshole and he made fun of Mike behind his back constantly.) Mike, on the other hand, was the most adorable man his partner had ever met. She was clearly having a fun time with him and they were getting along like old friends. So when Joe would rib them about their apparent incompatibility the girl (whose name I forget but wish I could remember) would say she was planning to take Mike home to meet her family (as which point Mike called out “Alabama loves Louisiana!”). When they didn’t win the final challenge the girl got really upset because she felt like it was her fault, but Mike—who surely needed the money more than anyone else on the show—consoled her like a champ. And they did win a trip for four to Aruba (I think) so they didn’t go home empty handed.

In short, it was one of the most entertaining hours of television I’ve ever watched.

But with that said, I don’t plan on ever watching Fear Factor again. I hate that stupid show.


Last Friday I answered the phone in my apartment and after saying “Hello?” into the receiver I heard what sounded like an angry guy in the background yelling at his kids. I paused, waiting for someone to say something directly into the phone, but only heard a little bit of giggling and more muffled yelling. So I figured it was just a young kid fooling around with the telephone until I heard, softly, “English, motherfucker! Do you speak it?” in the unmistakable voice of Samuel L. Jackson as Jules from Pulp Fiction. Turns out I was being pranked by some kids using the Sam Jackson prank call soundboard on the ebaumsworld website.

Unfortunately, just as I figured this out the kids hung up on me. I can’t sufficiently convey just how disappointed I was, because once I realized what was going on I really wanted to participate! After all, how often do you get the chance to be verbally accosted by Sam Jackson, you know? Sigh. Nothing’s worse than a premature prank call hangup. Damn kids.

Friday, July 22, 2005

Regis Philbin, I Hate You

I just got back from the optometrist. It was okay (thanks for asking), but upon reflection there’s some residual weirdness clinging to me. Allow me to elucidate. I’ve lived in central Jersey for almost three years now and I decided it was finally time to put my employer’s health care coverage to use on a local level.

See, for the previous seven years I’d lived in northern Jersey (on lovely Lake Hopatcong—I dare you to try and pronounce that properly, ‘cause even a decade later my parents still can’t say it right), which, if you’ve never been there is actually the antithesis of what you’d expect New Jersey to be (i.e., it’s not what I expected it to be when I moved here). Believe it or not, this state is not filled with oil refineries and burning smokestacks and eight-lane highways and other assorted industrial-wasteland-type detritus. I mean sure, that kind of shit surrounds the scary city of Newark—y’know, that ghetto you fly over on your way to JFK airport—but northern NJ actually lives up to its “Garden State” motto. So much so, in fact, that there’s nothing up there resembling civilization until you hit the Big Apple. Forget industrial wasteland. Northern NJ is just a plain old garden variety wasteland.

As such, I trusted no hillbilly doctor/dentist/massage therapist within a 50-mile radius to touch my body, short of a serious emergency (so even with my jugular spraying blood like a fountain I still might opt for a Band-Aid). Instead, I would take care of my medical needs whenever I flew back home to Indiana to visit my family. (Strangers I don’t trust. The old guy who’s been checking my “plumbing,” as he likes to call it, for the last 20 years I do trust.) But a few years ago my parents moved out of Indiana and for as much as I love Bloomington, buying a $300 plane ticket to visit my optometrist seemed kinda retarded. And I’m three years overdue for my checkup. (I realized this when I was suddenly unable to read Greedo’s subtitles in the original, non-Lucas-molested version of Star Wars. Time for some new glasses, bantha-poodoo!)

So a few months ago I asked around my office for some suggestions and got the answer I dreaded: no one I know particularly likes his/her optometrist. Awesome! But finally I settled for Dr. McShortpants, whom my colleague Laura suggests but does not necessarily recommend. (Laura’s eyes are so fucked up she doesn’t even use an optometrist anymore—she goes to an ophthalmologist instead, which is like the difference between a psychologist and a psychiatrist. One is more expensive than the other.) Anyway, Laura used to see Dr. McShortpants but stopped going when it became clear that DMSP wasn’t correctly diagnosing her problem. But [and I quote], “You’re young, so she probably won’t be required to find anything seriously wrong with you anyway.” Super!

So I call to make an appointment. Back on April 12. Today was the first day she could fit me in. Strike one. So here it is three months later and I drive to the business park. Of course I can’t find a parking space, even though the parking lot is twice as big as the building it serves (this appears to be some kind of space-time/wormhole problem that will require Geordi LaForge’s expertise to unravel). I finally settle for parking in a ditch, and hope the truck parked next to it won’t be leaving anytime soon because he’ll probably take my bumper with him. I finally get inside the building (after getting trapped behind an old lady with the squeakiest walker I’ve ever heard) and sign in five minutes before my appointment. Twenty minutes later (actually not too bad!) I’m called back and hey, whattaya know, the assistant/technician (not sure of the terminology here) is actually cute and so I happily remove the first strike.

Cute Girl proceeds to check my eyesight in all the standard preliminary ways and I’m pretty proud of my performance, as if my not-as-bad-as-I-thought eyesight is a sign of attractiveness and I’m impressing her somehow. With each correctly identified letter she gives me a “good job!” or a “yeah!” the way you would encourage a shy dog with irritable bowels or something, but this doesn’t even phase me. I’m having a grand old time because reading things is something I’m good at. But then she fucks everything up by completely scaring the shit out of me:

Cute Girl: Now I’m going to numb your eyeballs with this stinging acid and jab at your corneas with this needle-like pointer. [Not what she really said, obviously, but certainly how I interpreted it.]
Me: [All willingness to please drains out of me as I get a panicked look on my face.] Um, what?

After assuring me it won’t hurt a bit she puts the drops in my eyes and proceeds to press on my eyeballs with this surgical-looking poker while holding my eyelids open with her thumb (thank god for this bit of human contact, ‘cause if she’d used those Clockwork Orange tongs on me I’d have run out of there like Paris Hilton at a “How to Form Complete Sentences for Fun and Profit” seminar). I get this weird sensation of my eyeball literally receding into my skull with each push and I’m thinking to myself, “Numb or not, this can’t be good for your eyes.” But she claims it’s to “check the pressure,” like I have steel-belted radials in my eye sockets. What would happen, I wonder, if the pressure wasn’t good? Would an air hose be involved? But it’s no concern of mine because apparently my pressure is fine. (Have you ever heard of this? My doc in good ol’ Indiana never done checked my eyeball pressure before….)

With my dignity pretty much shot (I think I whimpered a little each time she poked an eye) I gave up on trying to impress Cute Girl and let her finish up in silence. She put the dilating drops in and led me to another waiting room, saying Dr. McShortpants would be right with me.

Cut to half an hour later. Cute Girl comes back with an apologetic look on her face. “Let’s take a look at your eyes,” she says, staring into my pupils. “Almost there!” And now I know why there are no mirrors in this waiting room: because the near-total light blindness I’ve been experiencing tells me that my eyes were completely dilated 29 minutes ago and they don’t want me to call their bluff. In actuality, Dr. McShortpants is running behind, and it’s no wonder. During my time in the “back room” I was forced (no magazines in there for some stupid reason) to eavesdrop on several doctor-to-assistant conversations.

One doctor was giving his assistant driving directions to some party this weekend, and even without being able to see her reactions I could tell from her verbal responses that the assistant wasn’t following him one bit and had every intention of checking Mapquest at her earliest convenience. But the doctor kept on rambling. It literally took him six minutes to give these directions. It involved things like turning past “the second Arby’s on the right” (wha???) and “I can’t remember the name of the street, but it’s the only one with a blue sign.” All I kept thinking was, Thank god this fucker isn’t going to work on my eyes! So I wait patiently for Dr. McShortpants to arrive, which she does after another ten minutes. Not wanting to admit she’s fucking late, she looks at my pupils, too. “Okay, you’re all set,” she says. Yeah. Ragginfraggin…. So we go into the room with the SuperViewmaster and she proceeds to make me uncomfortable without even the aid of an eye-poking device:

DMSP: When’s the last time you were here?
Me: Um, never. [Jesus, lady—take a look at the chart why don’t you!]
DMSP: Oh! Nice to meet you! I’m Dr. McShortpants. [She shakes my hand very limply and instills me with assloads of confidence in her abilities as an optometrist, not to mention as a human being.] Do you wear glasses already?
Me: Yes.
DMSP: May I see them?
Me: Wouldn’t you know it? [Ingratiating smile.] I wear them every day to drive to work, and this is the first time ever that I’ve forgotten them.
DMSP: [Unfazed by ingratiating smile.] How did you get here?
Me: [Slight pause; not sure if this is a trick question.] I drove.
DMSP: Hm. [Consults chart filled out by Cute Girl.] Because you’re required by law to wear them when you drive. [She says this like she’s seriously considering calling the cops on me.]
Me: Oh.
DMSP: Anyway [as in, “way to go, asshole”], let’s get started. [As if I’m blocking her ability to do so in some way.] Have a seat. [I sit. She moves to face me and I realize, even with me sitting, she’s still pretty much looking up at me. This is when it hits me that she’s not only about four feet tall, but also that she looks like this really nerdy girl I knew in high school who used to give her dad a goodbye kiss whenever he drove her to school in the mornings. So, my optometrist is a school-girl midget with daddy issues. And now I know that I’ve finally crossed that dreaded threshold from being a kid surrounded by adults to being an adult surrounded by kids. I am my grandpa, with his calling every middle-aged man he meets “Sonny.” I can see it happening to me, at that moment, and yet I still don’t want this child standing in front of me to be in charge of my eyes. I’d rather have Cute Girl poke my corneas again, thankyouverymuch!]
DMSP: Wow, you’re really tall. Are you over six feet?
Me: Maybe. [Actually, I think I’m exactly six feet tall but of course I haven’t measured myself in years so I could be wrong. Who cares?]
DMSP: So, what, six-five? Six-six?
Me: [Suddenly I’m the tallest man on earth.] Um, no. Not quite.
DMSP: Okay. [She pauses on this longer than she ought to, and it takes me a second to realize that she’s not just making small talk, but that this information poses an authentic problem for her. I begin to worry that it could seriously impact my clarity of vision in some unforeseen way.] I’ll just stay standing. Easier that way. [As with Cute Girl, I have not impressed DMSP. My Uwe Blab-like stature is a serious inconvenience.]
Me: Okay. [Thinking, “Get a highchair if it’s such a hassle, you freakin’ midget!”]
DMSP: [Staring intently at my head.] Did you know you have an asymmetrical face?
Me: Yeah, thanks for mentioning it.
DMSP: Just making sure you knew [why this might be useful to me except as an ego deflater I have no idea]—your right ear is also a little higher than your left one.
Me: Got it.
DMSP: Your left eyelid is drooping a little, too. Is that new?

And so on…. But all this washed over me, really, until the end of the exam, at which point she asked me if the chosen lenses in the SuperViewmaster would “make me happy walking down the street.” I said yes, to which she replied, “Final answer?”

Is that goddamn show even on anymore?

Wednesday, July 20, 2005

The World’s Greatest Comic Movie? Well, Not Quite.

So Tom (and Beth—whom I’m beginning to suspect is a closet superhero junkie) and I went to see Fantastic Four last night. As Lap had mentioned, it was definitely air-conditioned fun. And on a day when the temperature climbed to 95, any kind of air-conditioned fun is welcome. Oddly enough, though—and contra pretty much everyone else who has anything good to say about the movie (Lap included)—Michael Chiklis as the Thing wasn’t the actor/character I was most interested in. I got a much bigger kick out of Chris Evans as the Human Torch.

You thought I was going to say Jessica Alba, didn’t you? It’s okay, I don’t take it personally. Especially since she’s obviously the reason I signed up to see the movie in the first place. But Jessica’s no Lawrence Olivier, and although she took her shirt off at one point in the movie I need a little more than that to occupy my mind for two hours. And the Human Torch delivered. At least moreso than anyone else in the cast. And I felt like I’d seen that actor before, but a quick glance at his screen credits in the link above proved to me that I have, in fact, not seen him in anything else. I’m always impressed by actors who can make me think I’ve seen them before. It indicates a screen presence that’s hard to come by.

On the other hand, one guy who did not impress me was the dude who played Mr. Fantastic. He looked way too nerdy for the part. I have only limited knowledge of the Fantastic Four comic book, but I’m pretty sure Mr. Fantastic should be portrayed more as a professor from Gilligan’s Island-type. That is, super smart but still a bit of a ladies’ man, even if he doesn’t realize it. Beth said it best as we were leaving the theater: “A dork like him could never get Jessica Alba. I don’t care if she’s a nerd, too—it’s just ain’t gonna happen.” Amen, Beth. Amen.

But perhaps my biggest disappointment was that this movie—like so many other superhero movies—focused way too much on the origins of the heroes. Instead of using their powers and kicking as much ass as possible, they spent half the movie trying to figure out how to get rid of their powers. I hate that. For as lame as The Hulk was, at least he smashed up a lot of shit in those two hours. Plus, as origins go, the Fantastic Four’s origin is pretty silly (cosmic rays are involved—need I say more?). But they were created in the early ’60s, when it was all about cosmic rays and radiation—so it’s excusable as an artifact of Cold War culture. But in a mainstream movie made in 2005? Couldn’t we have skipped all that and just counted on the audience members to suspend their disbelief?

That’s probably why I’m so looking forward to the next Superman movie. Brian Singer (whom I trust implicitly as a superhero movie director) isn’t going to rehash Superman’s origin for the seventy-billionth time; he’s going to assume that we all know who Superman is. Because guess what? We do! That character’s an icon. Explaining him is like explaining James Bond. There’s no point. Get on with the action!

All I can say is if there’s a sequel to this Fantastic Four movie, I hope they riff on the initial Galactus/Silver Surfer story or else I’m just not interested. I don’t care how many times Jessica Alba takes her shirt off.

Monday, April 25, 2005

This Shit Is Bananas! B-A-N-A-N-A-S!

Did I Suddenly Become Catholic or Something?
Why Can’t I Shut Up about the New Pope?

This just in: New Pope Gives God the Finger.

I dunno, is his intent for us to feel sympathy for him? I’m sure being pope is a pain in the ass (especially for a guy well beyond the retirement age) but surely it’s better than lots of other jobs—and hardly akin to a beheading. C’mon, Benedict! Suck it up!

(Though I must say, he sure does have that whole “papal hand gestures” thing down already. Kudos to him!)


Something I Forgot to Mention about the Star Wars Holiday Special
in Last Friday’s Entry

In the cantina scene with the flawless Bea Arthur, there was a guy with a hole in the top of his skull, and that’s where he poured all his drinks. It was supposed to be played for laughs I guess (he was played by Harvey Korman, after all), but watching it as a 5-year-old I was traumatized in ways I don’t even want to recount here. Suffice it to say that, among other problems, I had nightmares on the theme of cranium holes for years afterwards. What a fucked-up thing to put in a show aimed at kids....


And While We’re on the Subject...

This doesn’t have anything to do with the Holiday Special specifically, but when I was younger I thought that “the Force” was Star Wars-speak for “gravity.” I think this erroneous assumption sprang from Obi-Wan Kenobi’s initial description of the Force: “It's an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together.” Needless to say, I was not into Eastern philosophy as a kid. (But apparently I knew a shitload about physics.)


For the Record, He Also Couldn’t Make Purple Tights Work

Last night I saw this “hipster” kid on campus wearing a pair of cardboard 3-D glasses. Two things went through my head. First, what a dumbass! Second, remember how Billy Zane wore 3-D glasses in Back to the Future? They didn’t look cool on him either—but that was kind of the point, which brings me back to my first thought: what a dumbass! Here’s a tip for all the self-consciously “cool” folks out there: if something makes Billy Zane look like an idiot, chances are you won’t have much more success with it yourself.


Maybe It’s Her Hair

I think I’m in love with the girl in that Volkswagen Jetta commercial. You know, the one who pisses off her grumpy downstairs neighbor by dancing around in her apartment? When I mentioned this to someone (who shall remain nameless) earlier today, he said she looks like Ashlee Simpson.

I made him take it back.


Startling Revelation or Statement of the Obvious?

I don’t particularly care for Gwen Stefani’s music, but I could watch her videos aaallllll day long. Well, except for the one where she and Eve pretend they’re pirates. That one's just ridiculous.

Saturday, April 23, 2005

In Which He Blathers on Way Too Long
about Star Trek. When Will He Stop?!?

If you’re not a big fan of science fiction (or even more specifically, a fan of Star Trek), you may want to skip this entry. Otherwise you will probably find yourself saying, “Huh?” and “Oh my god, this guy is a geek!” a lot....

A Brief Account of My Opinion of Star Trek and Its Various Spin-offs (as a Way of Leading Up to a Discussion of Last Night’s Episode of Enterprise, which, for Once, Was Actually Pretty Good)

Star Trek: Good show. Not a great show, but mainly because it suffered from the problems that plagued most science fiction shows pre-Star Wars (which, as far as I can tell, is the movie that made TV and film producers realize that spending lots of money on sci-fi wasn’t necessarily a bad idea). Nonetheless, though the show itself suffered from some dumb plots, some bad characterizations, and other random silliness, it still created a cohesive universe that has lasted 40 years and spawned numerous successful TV shows, movies, books, etc.

Star Trek: The Next Generation: The best science fiction TV show ever made. Ever! My friend Tara claims Babylon 5 is the best science fiction TV show ever made, but I’ve never seen it and she hates ST:TNG, so I’m pretty sure she doesn’t know what the hell she’s talking about. Everything about this show rocks. Well okay, not everything. Riker was a complete tool and sometimes it did get a bit preachy, but other than that I loved nearly everything about it. Especially Ensign Lefler.

Deep Space Nine: In the midst of my übergeek love for ST:TNG, Paramount announced that they would be launching another Star Trek spinoff. I just about peed myself with excitement. Until I saw the first episode. Thus was marked the beginning of the end of my unadulterated giddiness when it came to all things Trek. This was particularly disappointing because one of my favorite characters on ST:TNG, Chief O’Brien (played by the excellent Colm Meaney), jumped ship and joined the DS9 cast. Then, to make matters worse, my all-time favorite Star Trek character from any show anywhere, Worf, joined the DS9 cast shortly after ST:TNG went off the air. I tried watching DS9 again at that point—I really did—but even my boy Worf couldn’t make that show palatable to me. And honestly, that’s saying quite a bit. Because Worf’s hilarious.

Voyager: More of the same. Once again I watched the first episode only to wonder how they could’ve gone so wrong. When Seven of Nine (or however you’re supposed to spell that character’s name) was introduced, I realized why these new Trek shows weren’t appealing to me: because I’m not a sheltered 12-year-old boy whose only access to spank material is the Sports Illustrated swimsuit issue and whatever hot girls appear on TV in skin-hugging body gloves.

Then came the rumors surrounding Enterprise. Despite my strong skepticism, I really liked what I was hearing. Instead of taking place in the increasingly crowded and confusing post-TNG timeline (i.e., a time in the future that relies on lots of shit like the Dominion and other things of which I had no knowledge), it would take place 100 years before the first Star Trek series. To me, this signified that the producers realized that the last few shows did indeed suck, and that Star Trek needed to get back to its roots: exploring the galaxy, shooting at aliens, reinserting a sense of wonder, etc. Then I heard Scott Bakula would be the captain. Whoa! Scott Bakula, as in the star of Quantum Leap? I loved that show! Sign me up!

So I watched it. And the first episode wasn’t that great. But whatever trigger in my brain that had previously urged me to cease watching DS9 and Voyager didn’t click on this time.

I really wish it had. As we all know, history is doomed to repeat itself and Enterprise has proven to be a textbook case of why the Star Trek franchise needs to take a long, long nap.

So when I heard that Enterprise had been canceled I was almost as excited as I’d (naïvely) been back when I heard that Paramount was spinning off a new show from ST:TNG in the first place. Why? Because I am one loyal bastard. You see, once I’d gotten half a season into Enterprise I couldn’t stop watching. I kept thinking, “It’ll get better. They’re just finding their way. Give them time.” Four years later they’re still dicking around. So UPN has put both Enterprise and me out of our collective misery. Yay!

I haven’t been so excited about the cancellation of a show since The X-Files, and that’s a show I was actually able to stop watching the moment David Duchovney left!

But as luck would have it, things have started to look up on Enterprise. A little bit, anyway. I’m still largely unimpressed by the show, but at least they’ve finally started moving in the direction I thought they were going to explore way back in, like, the first season. Which is to say the founding of the Federation. Why they didn’t start working on this almost immediately is beyond me. I thought that had been the whole point of the show: to take the prehistory of the original Trek show and flesh it out. But instead, Enterprise spent three years goofing around as if it were just another low budget Sci-Fi Channel knockoff, with no sense of history or purpose.

Anyway, as I was saying, a few episodes this year have been okay. Then, this morning I watched the episode that aired last night (because I usually tape Enterprise on Fridays, as I generally have better things to do with the start of my weekend).

And I loved it.

Don’t get me wrong; the fundamental problems with this show can’t be fixed, and they were all present in last night’s episode. But it was still pretty enjoyable. This is the kind of backhanded compliment I’ve been reduced to giving a show for which I had such high hopes....

See, last night’s episode took place in the mirror universe set up by an original Star Trek episode called “Mirror, Mirror.” If you don’t know anything about Star Trek (and if that’s the case, why are you torturing yourself by continuing to read this?), the mirror universe is an alternate universe in which earth has formed a brutal empire of galactic conquest. Instead of exploring new life and new civilizations, the Enterprise crew spends its time conquering new life and new civilizations. It’s pretty awesome.

I don’t mean to imply I’m all for fascism and imperialism and the subjugation of other races. I’m just happy to see Starfleet not run by a bunch of pussies for once. One of the main problems with Enterprise is that it’s a timid show. The underlying P.C. nature of the Star Trek franchise (excluding the occasional moments of rampant male chauvinism that crop up, but more on that later) has finally caught up with itself and as a result the show has no bite. But in last night’s episode all these normally goody-goody characters were stabbing each other in the back and generally acting like dicks. It was kinda cool.

Also, T’Pol (the gorgeous Vulcan played by Jolene Blalock) and Hoshi (the vastly underused Linda Park) finally got to sex it up a bit. I would imagine that actresses stuck in a Star Trek show have it pretty rough. You automatically become an object of lust for thousands of overweight dudes living in their moms’ basements and are occasionally forced into these virgins’ wildest fantasies by your show’s producers. Example: In the first season there was an episode in which T’Pol went into heat. Yes, that’s right, Vulcan women go into heat just like an animal, every seven years or so (I think that’s the duration, anyway). This particular episode was one of the most degrading things I’ve ever seen. Jolene had to strip down to her underwear a couple times, pant like an animal, get all glisteny, and generally humiliate herself for the satisfaction of the men who watch the show and who enjoy imagining a beautiful Vulcan woman pouncing on them with uncontrollable lust in her eyes. (It is my understanding that the actress who played Seven of Nine had to suffer similar indignities on Voyager. As a ex-member of the Borg collective she went through a spawning cycle or some shit like that. So you see, this is a recurring theme in the Star Trek universe.)

Another example: In last week’s episode of Enterprise we learned that the Orion slave women (you know, those green-skinned beauties who tempted the boys in the original Star Trek show a couple times) are actually the rulers of the Orion men, not the other way around. Now, aside from the fact that this screws with 40 years of continuity and doesn’t make much sense in the context of the show, it also implies that the women choose to be treated like slaves. This is an appalling assertion that practically verges on misogyny.

The reason why the sexiness of last night’s episode is different is because the women were in control of it. In the first season episode, while she was in heat, T’Pol was at the mercy of things she couldn’t control. That was a pretty sexist episode.

But last night, while Commander Archer was staging a mutiny, T’Pol remained loyal to the captain and helped him retake control of the Enterprise (using a little sex appeal along the way). I should mention that in the mirror universe the Vulcans are just as domineering and expansionist as the humans, so this wasn’t just her logical Vulcan blood working on autopilot; she was a strong woman making a dangerous decision.

Meanwhile, Hoshi took the opposite approach (seducing whoever happened to be in power at the moment so that she remained in a beneficial position), but still doing it in a strong rather than subservient way.

And yes, both T’Pol and Hoshi wore these absurd, midriff-exposing uniforms that I absolutely adored. However, because they were each playing against the “helpless female” stereotype I didn’t feel so bad about loving the fact that they were showing some skin. Perhaps I’m just splitting hairs in an effort to avoid being labeled as one of those aforementioned dudes living in their moms' basements, but what can I say? They both looked gorgeous. And frankly, I’m sure Linda was happy to finally get out of that dumpy jumpsuit she’s been wearing since the show debuted four years ago. (Jolene has been more lucky; her uniforms have been much more flattering for the past two seasons at least.)

Most importantly, though, this episode was interesting, everyone got to fire their phasers a couple of times (normally a rare occurrence, oddly enough), and it was not (entirely) derivative the way most of the rest of the episodes in this series have been.

It ended on a cliffhanger and I’m kind of wishing that the four remaining episodes of Enterprise take place in the mirror universe. It’s a long shot, but at least the show would go out on a high note. Heck, if I were in charge of Star Trek I’d make a new series that took place entirely in the mirror universe. Now that would be something different....

Friday, April 22, 2005

The Dutch Knew Vader Was Luke’s Father Long Before We Did

Last night I saw Darth Vader use the Force to choke a giant red talking M&M.

I have seen some stupid shit in my time, but...

Look at me, I’m so confounded I can’t even complete a thought.

Am I the only one who wishes George Lucas would just stop being George Lucas?

There’s this thing called the Star Wars Holiday Special. Back before the Internet was accessible to every late-20s/early-30s sci-fi geek in the world, this Holiday Special seemed more myth than reality. Those of us who were only 5 years old when it aired on TV (in 1978) might have had vague recollections of Bea Arthur hanging around in the cantina and a coked-up Princess Leia singing a horrendous song while the rest of the Star Wars cast stood around looking uncomfortable, but by and large it felt like a false memory implanted by one’s own subconscious desire for more things Star Wars-related (since back in the ’80s we had only the three movies, the mostly bad Marvel comic book series co-starring a big green space rabbit, a couple lame cartoon spin-offs, two godawful Ewok TV specials starring Wilford "Bad Ass" Brimley and a Drew Barrymore circa 1982 look-a-like, and that was it).

But I was at a comic book convention, oh, probably 10 years ago now, and I found a bootleg copy of this Holiday Special for sale (since that’s the only way you can—and will ever be able to—get ahold of this thing) and just had to buy it.

It was even worse than I remembered. Forget all the scenes featuring Bea Arthur, et al. Harrison Ford, future star of a dozen blockbuster movies, is frighteningly bad in this thing. Two things are immediately obvious: First, there didn’t appear to be any written dialogue for him to memorize, because everything he says sounds improvised in the worst way (and, as we learned from his time on the set of Blade Runner, Harrison Ford does not even believe in good improvisation). When he sees Chewbacca’s son, Lumpy (I shit you not—that’s his name), he keeps saying, over and over again, “Lumpy, wow, you’ve gotten so big!” [Harrison hugs midget in wookie costume] “Wow... Lumpy. You’ve gotten so big!” [Harrison tussles fake hair on top of wookie costume worn by midget] “...” [there is a pause; no one seems to have told Harrison what he should do next] which brings me to obvious thing number two: It appears that no director was present on the set. I’ve seen elementary school theater productions better organized than this thing.

[Ooo! Someone has helpfully compiled a few screen shots of Harrison Ford’s worst performance in the history of cinema! Now you can see that I’m not exaggerating.]

Wait, what was my point?

Oh yeah, my point is that George Lucas—for obvious reasons—completely disowned the Holiday Special not long after it aired. Yet last night I saw Darth Vader use the Force to choke a big talking M&M.

The man is already worth 8.4 kazillionwilliondillion dollars. What the hell is he doing?

Oh, right. He’s lost his mind. I forgot.

Thursday, April 21, 2005

Zamboni Love

The following story serves as proof that my ex-girlfriends can be total sweethearts even after we break up:

This past weekend (which is a lot further away now than this upcoming weekend is; how did that happen?) Emma, my last girlfriend, came back to New Jersey to visit a bunch of old friends, myself included. We spent most of Saturday walking around campus, getting sushi for lunch, stopping by her favorite ice cream joint, and just generally hanging out.

Way back when Ice Princess came out in theaters, Emma joked that it was too bad Disney hadn’t postponed it a month, because then we could’ve gone to see it together. (Because, as I’ve mentioned previously, I was dying to see it but feared being driven out of the theater by enraged mothers who mistook me for a potential child molester.) Well, the subject of figure skating came up (because there was a competition airing on ABC that day, and Sasha Cohen lost to Michelle Kwan again) and Emma said we should go see Ice Princess if it was still playing. I said “Sure,” because honestly, what were the chances?

Well, guess what? It was still playing.

When I found this out I immediately started backtracking. Emma and I are still good friends, but going with someone to see a movie in which you have no interest, just so the other person can see it without getting arrested strikes me as Girlfriend Duty. And not the good kind of Girlfriend Duty. I didn’t want to exploit Emma in that way so I was sincerely trying to talk her out of it, but she insisted (I swear!). So we went. And the theater was more than half full of mothers and their 12-year-old daughters. Plus Emma and me. (Actually, I’m exaggerating for the sake of the story. In reality there were a few other couples of Emma’s and my age—though I suspect in every other case it was the female who’d dragged the male there, not the other way around.) Anyway, now I know why Disney movies play for so long. I bet the cumulative number of audience members in the three theaters dedicated to Sin City didn’t match up to the number of people in our theater....

Anyway, here’s the scoop. Yes, I enjoyed the movie, and no, it wasn’t good at all. But even if you eliminated the figure skating (which wasn’t as exciting to watch as, say, watching the actors play basketball in Hoosiers—and despite my Indiana background please keep in mind that I don’t like watching basketball) I still would’ve enjoyed this movie, because it was cheesy as all hell. And if there’s one thing I appreciate, it’s cheesy movies.

My favorite moment? Casey (Michelle Trachtenberg) has just returned from her first competition at which her coach, Tina (Kim Cattrall), sabotaged her by buying her a brand new pair of skates for her final event. (FYI, you’d want to break in new skates before using them in a competition—otherwise you’ll fall down a lot, as Casey did.) Tina sabotaged Casey because she suddenly realized Casey’s better than she thought she was, and Tina’s daughter, Gen (also a skater), was in danger of losing her spot in the regional competition to Casey. Blah blah blah. Anyway, so Casey leaves her coach—who happens to own the local skating rink—and therefore has to resort to practicing on the frozen pond in her backyard. But it is bumpy. Because, y’know, it’s a fucking pond. So she keeps falling down, and frustration mounts. But then, over the hill comes this Zamboni driven by Teddy, the kid Casey has a crush on and who drives the Zamboni at Tina’s rink (he is also, coincidentally, Tina’s son). He had come to smooth out Casey’s bumpy pond so that she can pursue her dream (cue triumphant music). It was so cheesy I practically fell out of my chair. Emma couldn’t stop laughing. Her laughter was so hysterical, in fact, that I started to worry that she was in as much danger of being run out of the theater as I would’ve been had I come alone.

But we had a great time and talked about it incessantly afterwards. But get this: Michelle Kwan got to play a judge (or I should say Michelle Kwan’s cleavage got to play a judge) in the movie, whereas Sasha Cohen merely appeared for five seconds in a performance that Casey was watching on TV—and it showed Sasha falling on her ass.

Uncool.


While Emma and I were walking through campus again later that day, we walked by two girls who were talking about a fashion show that was going to take place on campus. The blonde girl was trying to convince the blonder girl to participate with her. Phrases like “You’d look so hot!” and “You should totally do it!” were followed by this gem: “You know what’s fun? Getting hammered? And then modeling.”

It almost beat the Zamboni scene for the most ridiculous thing we’d witnessed all day.

Thursday, April 14, 2005

"Tell Us of Your Sun's Physical Spectrum!"

There are certain things I love so, so much I’m sometimes afraid I’ll squeeze them apart like one of Lenny’s doomed woodland creatures. The Future Sound of London is one of these things. Marilyn Monroe is another.

Then there’s Platinum Grit.

I dunno, maybe no one else gives a rat’s ass, but I am psychotically in love with Platinum Grit and therefore want to share it with everyone on the planet.

It’s a comic book, see, and you can read the whole thing (thus far) on the Internet. For free! I knew this computer of mine was good for something....

Platinum Grit is written and illustrated by the amazing Australian, Trudy Cooper (with script and/or plot assists by Danny Murphy). I discovered it in 1995 (about a year after it began) while flipping through a copy of Diamond Previews. This is the image that caught my eye, and it was only the size of a postage stamp. I immediately ordered it, read it when it arrived, and nearly swooned as a result of its unadulterated awesomeness.

Then I met a guy named Doug Bayne a few years later at the San Diego Comic Con, and I think he was a bit taken aback by how much I started instantly fawning over him. You see, I recognized the name on his nametag from the credits page in Platinum Grit (though I still, to this day, have not discerned what his level of involvement in the book was—-he kept it kinda secretive). Lucky for me he didn’t run away screaming and we talked about Platinum Grit as well as all kinds of pointless shit that day. (The one bit of our non-PG-related conversation I remember most vividly was his disappointment in being unable to tell the difference between the way the water drained from toilets in the States versus how it drained from toilets in his native Australia. I have yet to be presented with an opportunity to check this first-hand myself.) Because I’d toned down my hyperventilating about halfway through our first conversation, Doug even swung back by the booth I was manning in order to chat a couple more times during the subsequent days of the show, and he gave me his card before he left. So we struck up a correspondence, a few weeks later he sent me some awesome T-shirts with all these great images on them (one of which I still wear on a regular basis), and he kept me in Platinum Grit comics until things stalled out after issue 10. I can only assume, knowing how difficult it is to publish a comic book if your numbers are anywhere below the already-rock-bottom sum of 3000 copies, that they just didn’t have the funds to continue.

I am nothing if not a terrible corresponder, so I fell out of touch with Doug eventually. Years passed, and I often wondered if Platinum Grit #11 had ever been printed. Then last night I stumbled upon Trudy’s website and whatta ya know? Issues 11, 12, and 13 are all available online!

Sadly, there aren’t a lot of women working in comic books today (Jill Thompson, Carla Speed McNeil, Jessica Abel, and Linda Medley are among my favorites), but Trudy is hands down one of the most talented cartoonists working in the medium—-male or female.

I’m not saying Platinum Grit is the greatest comic book ever made, but if I could save only ten comic book series from nuclear annihilation, Platinum Grit would be among them. Future generations crawling from the ashes, possibly with access to information on the “great” comic book series of the twentieth century, might wonder why the dumbass in charge of saving ten comics had chosen Platinum Grit instead of, say, The Fantastic Four. My response to them would be “Because it rocks, motherfuckers. Deal with it!”

(I do feel compelled to mention here that Platinum Grit owes quite a bit to Jaime Hewlett’s Tank Girl, and I love Tank Girl dearly—-but I love Platinum Grit even more. Maybe because Tank Girl, for all its charm and humor, was a bit too anarchic for me. I like a little story with my comic—-even if it doesn’t make much sense. Platinum Grit’s story is goofy as hell, but it’s still the kind of thing that makes you long desperately for the next installment. Ahem. Clock’s ticking, Trudy!)

Anyway, as I mentioned on Tuesday, I don’t push things on people. Besides, if this image doesn’t make you want to read Platinum Grit, nothing will. So I’ll leave it at that.

Thursday, March 24, 2005

No, the Death Spiral Is Not a Pro-Wrestling Move

Have you ever been excited about the prospect of writing a particular entry, but then once you sat down to write it you realize that (a) the chances that you’ll end up making yourself sound like a freak and/or a complete tool are actually pretty high, and (b) you don’t really know where to start?

That’s happening to me right now.

But with a lead-in like that I can’t quit now, can I? So I’ll start here: I don’t like sports. Especially of the organized variety. And for as much as I dislike participating in sports, it’s possible that I dislike watching them even more. It’s a fact that I’ll watch just about anything on TV if I’m bored enough, yet if you gave me a choice between the Superbowl and the Home Shopping Network’s “frumpy clothes for colorblind old ladies” show, I’d probably choose the latter. Seriously. Growing up in Indiana, where basketball is everything, it wasn’t easy to maintain this point of view. When I got to college my problems only intensified because everyone around me loved basketball, and there was pretty much no escape in that environment. I suffered through countless March Madnesses (well, actually just four I guess—though it sure seemed countless), but I made it through without ever developing a taste for any of the team sports.

There were a few notable exceptions that I still recall fondly. I enjoyed watching my college friends play intramural sports (especially the guys who weren’t any good at their chosen sport and therefore didn’t take it very seriously—giving their basketball teams names like “Prisoners of Gravity,” etc.). And my school’s annual bike race, called The Little 500 (as depicted in the Oscar-winning movie, Breaking Away), is one of the most thrilling things I’ve ever seen. Especially in the year I graduated, because it was one of only six times (so far) in the race’s 53-year history that the team for which I was rooting won.

But it could be argued that I was invested in these events because I was watching friends play, not a bunch of strangers who (more often than not) couldn't care less about who is or isn’t cheering them on. So I count these interests as flukes. On the other hand, I’ve always been impressed by individual feats of exceptional skill/prowess/strength/endurance/whatever. Bruce Lee, for example, is fascinating to me. Perhaps the one biopic I could watch again and again is Dragon: The Bruce Lee Story. The man broke his back and was literally paralyzed for months—only to will his own recovery through strength of character and then become the most recognized Hong Kong action star the world has ever known. No matter what your views are on his movies, you have to admit that’s amazing!

To a lesser degree, I think guys like Tony Hawk, Michael Phelps, Lance Armstrong, and Michael Schumacher have some skills that are pretty cool. But I can take ‘em or leave ‘em. Sure, I was happy to cheer for Michael Phelps during the Olympics last summer, but I have no idea (nor much of an interest in) what he’s doing now. Similarly, if I flip by ESPN2 and Tony Hawk is flying around on a half-pipe, I’ll pause for maybe three minutes tops before moving on. And if a grand prix race is on the Speed Channel, I’ll hover for a few minutes to see if someone skids off into the grass, but then I get bored.

Figure skating, though. I make plans to watch that shit.

Now, if you haven’t seen figure skating in a while, let me assure you that the days of whiney Nancy Kerrigan and scary Tonya Harding are long gone. They’ve been replaced by women who are cuter, sweeter, and not at all likely to take a lead pipe to someone’s ankle. Furthermore, these gals can do things that Kerrigan and Harding could only dream of.

I mean, seriously. Look at this:

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Believe it or not, this picture doesn’t even do Sasha Cohen justice, because what it isn’t conveying to you is that while she’s touching her shin to her forehead and holding it there, she’s also spinning around on a fixed point (on a sheet of ice, no less) at dizzying speeds that would make any mere mortal puke his queasy guts out. It’s fucking cool, I swear!

She can also go in the other direction, too:

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And although she’s not spinning in that position, she’s still rocketing forward at speeds faster than I can achieve while standing up straight with both skates touching the ground. (Not that that’s saying much, of course.)

But you see what I mean? There’s a certain grace and dexterity required in this sport that’s reminiscent of martial arts, which may sound like I’m trying to conjure up something a little more macho to make myself not feel like such a sissy, but I honestly believe this to be true.

Pairs skating, on the other hand, is all about the throws, the lifts, and the death spirals. Throws involve the guy taking his partner and flinging her away from him, so that she spins like a top in the air and then lands on the ice. Lifts involve the guy, um, lifting his partner above his head and holding her there—usually with one hand—while they twirl on the ice. Finally, the death spiral, despite its silly and melodramatic name, is one of the more beautiful moves in figure skating. The guy picks a stationary point on the ice and acts as an anchor for his partner, who leans parallel to the ice and cuts a wide circle around him. Some of the gals are more dramatic and put their heads right next to the ice, but this is the only picture I could find before I got tired of looking:

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Another impressive move (that you usually only see in exhibitions) is where the guy takes his partner by her skates and swings her around in a wide circle like the hammer throw in track & field, basically turning himself and his partner into a human centrifuge. And it is fast. This may go without saying, but every movement on the ice is sped up because there’s less friction to slow them down, and the speeds they achieve for some of these moves are just plain scary.

The other thing that amazes me is that they never stop. A routine is a continuous line of movement, and they maneuver themselves into these positions in such a seemingly effortless way that it blows my mind. I can’t even adequately describe it here (as if that weren’t already obvious). Hence my likening it to the martial arts—which are more about conservation of movement than kicking ass (unless you’re Steven Segal).


Anyway, this past weekend ESPN aired the 2005 World Championships, and I was pretty much glued to my seat for about six hours’ worth of coverage. (The coverage actually lasted longer than that, but I don’t watch the men’s competition nor the pairs ice dancing [not to be confused with regular pairs skating]. The men just aren’t that interesting to watch, and the ice dancing—regardless of how often I’ve heard that it’s the most technically complex of all the competitions—looks like nothing so much as ballroom dancers on skates to me. But I only blame myself for not understanding that particular discipline better than I do.)

This year, the championships were home to two particularly moving sports stories. The first was in the pairs competition. When it comes to pairs, my allegiances are fickle. Or they were, anyway, until last October. During the Skate America competition last year, Maxim Marinin lifted his partner, Tatyana Totmianina, over his head, spun around, lost his footing, and dropped her. Usually when this happens the skaters are able to grab onto each other and avert disaster. But Maxim literally wasn’t in a position to catch her and Tatyana slammed face first onto the ice, which knocked her out cold.

Barring images of death and destruction, it’s probably the most frightening video clip I’ve ever seen. (And as I’m sure you won’t be surprised to learn, it has been replayed ad nauseam ever since; it was shown no fewer than three times during the championships alone.) They took Tatyana to the hospital where, miraculously, she was found to have nothing more than a concussion and a hellacious, disfiguring bruise on the right side of her face. But of course the psychological toll—not only on Tatyana (who says she doesn’t remember anything about that day and, understandably, doesn’t ever want to see a replay of the accident) but also on Maxim—was tremendous. Maxim had to go through therapy just to be able to feel capable of lifting Tatyana over his head again.

Nonetheless, they were back on the ice one month later and have been undefeated ever since. Oddly enough, during the practice session before their free skate at the championships, Tatyana and Maxim collided with Dan and Hao Zhang of China just as they were practicing the same ominous lift from their routine. Tatyana hurt her back but was otherwise unfazed, and you never would’ve known that anything was wrong because their routines were perfect. They won the gold for the second year in a row.

[I’ll interrupt myself here because this spot is as appropriate as any to write a brief sidenote about the commentators: Whereas Terry Gannon is the cool professional, ex-figure skater Peter Carruthers is a total dick—especially when it comes to interviews. Likewise, Peggy Fleming is a kind of female Terry Gannon (except that she, too, is an ex-figure skater) and Christine Brennan is the female Peter Carruthers. After Totmianina and Marinin won the gold, all she wanted to talk about was the accident last October. After they answered her with all the poise in the world, she said with a smirk, “Are you sick of those questions?” I was hoping Maxim would give her an elbow to the nose. But he refrained. Oddly enough, my personal favorite commentator, Dick Button, was conspicuously absent from the proceedings. I don’t know if he was sick or if he’d finally been yanked for his occasionally inappropriate comments (more on that later), but he wasn’t there and no one mentioned why. I certainly missed him.]


The undisputed star of the ladies competition is always Michelle Kwan. Even if you don’t know anything about ice skating I assume you’ve heard of her. This five-time world champion is extremely personable off the ice, but when she skates I tend to get bored. Her programs are always flawless—and always uninspiring. If I said that around any other figure skating fan, though, I’d get my head torn off. Not since Michael Jordan has a sports figure been so universally loved. Michelle is unimpeachable as far as both fans and commentators are concerned. She could do something as simple as make a figure eight on the ice and the crowd would keel over in a massive swoon of shivering ecstasy. I think the idol worship is a bit weird, to be honest with you.

Anyway, Michelle’s shining star was tarnished a bit at this year’s championships. A new judging system has just been put into effect and, if Michelle is to be believed, some form of strategy is required to properly exploit it. Fans are mostly upset because the previous system allowed for skaters to receive “perfect” 6.0s, and those are now a thing of the past (since the new system incorporates all the judges’ scores into one lump sum). Even so, Michelle would’ve received no 6.0s for her qualifying round, which is just about the worst performance of Michelle’s that I (and everyone else) has ever seen. It was staggeringly awful. Apparently she changed up a lot of the routine in an attempt to maximize her score (now that certain required elements are worth more than they had been, etc.), and it just didn’t work.

Her short program was much better, but she fell during her free skate (nearly unheard of where Michelle’s concerned) and ended up finishing fourth. It’s the first time in many years that she hasn’t medaled at the world championships.


But I was unmoved, because as you may have guessed from the first two visual aids I used earlier in this entry, Sasha Cohen is the one who really knocks my socks off. In fact, she’s the reason I started watching figure skating in the first place. As mentioned before, ESPN doesn’t get much of a workout on my TV, but one day as I was flipping by I saw Sasha gliding across the ice and I stopped cold. I must’ve said, “Whoa! How did she do that?” about four different times during her routine. And I’ve been hooked ever since.

[Back to Dick Button: Here’s the reason why I love this guy. He’s in his 70s, he’s mostly bald and has a beard, and during one competition a few years back he said, in reference to the then-under-18 Sasha Cohen, “She is dee-licious!” drawing the word out just like that, in a slightly husky voice. When he finished his sentence I turned to Emma with bug eyes and exclaimed, “Did he just say what I think he said?” but Emma was laughing too hard to answer me. After a moment of dead silence, co-commentator Terry Gannon chuckled and replied, “You said it, Dick, not me.”]

Unfortunately, this 20-year-old skater is the perpetual underdog, usually trailing right behind superstar Michelle Kwan. Most experts agree that Sasha is the most talented and proficient skater in the sport at the moment, but her performance record is erratic at best. Here’s the thing: Sasha’s skating is pure elegance and athleticism. Her ending combination spin is composed of heartstopping magic. Her spiral is also amazing (and although everyone always talks about Michelle’s spiral, I think Sasha’s is much more impressive). The best way I can put it is that she does things no other skater can do. Plus, nothing she does looks awkward. Nothing. There’s a poetic, deliberate beauty to the way she moves.

Yet I cringe every time she has to make a jump. Because Sasha falls down all the time.

What can I say? The girl is sloppy. She can barely get through a routine without falling on her ass. The problem is that she hates to jump. This much is obvious. I’ve gotten to the point where every time she preps for a jump I get all tense; now I understand why other guys yell at their TVs during other kinds of sporting events. (“Don’t fall on your ass, Sasha! Don’t!...oh, dammit!”) Truth be told, more often than not she doesn’t fall. Except when it’s crucial that she doesn’t. I can’t tell you how many times she’s been guaranteed to win the gold, and then loses her mind on the ice. Considering how dominant she is at everything else she does, her falls make no sense. Especially since she can jump. In her qualifying round this year she landed a triple toe loop/triple salchow combination with no problems. That ain’t easy. (I’d explain the different kinds of jumps here, but I don’t really understand the nuances myself. All I know is that axels and lutzs are the hardest individually, and pretty much any combo is difficult. Kimmie Meisner, a 15-year-old who won bronze at the U.S. Nationals this year, landed a triple axel—the first woman to do so since the glory days of white-t thug Tonya Harding.) Bottom line: if jumps weren’t a part of the scoring, Sasha would be the master of the sport.

Generally, the only time Sasha ever wins is when Michelle is seriously off her game or doesn’t bother to show up (which can happen quite often, since there are dozens of different competitions in a year and as long as the skaters place at enough of them to secure a spot on their national team, that’s all they have to worry about). For once I’d like both of them to have perfect performances—because if that ever happened, Sasha would not only win, she’d deserve to win. I’m all for the underdog, but I’d prefer for the underdog to win on merit—not because her competitors were having a bad day.

Happily, though, Sasha performed three excellent programs this year and—though she had a few bobbles—she didn’t fall once (except afterwards, during her exhibition performance...Sasha!!!). Even so, she still only won the silver medal. But I can’t say I’m disappointed, though, because the gal who won gold really deserves it.


Are you ready for a heartwarming story? Then check out 2002 world champion Irina Slutskaya, who last year was diagnosed with vasculitis, a painful and dangerous inflammation of the blood vessels. Doctors encouraged her to take at least a year off, and there were rumors that she might never be able to skate again. But then her mother became ill herself, and is now in need of a kidney transplant. So partly to try and raise the $45,000 needed for the operation (but mostly because she loves the sport), Irina went back on the ice.

Aside from all the pain Irina suffers, the medication she takes for vasculitis also makes her extremely tired. Figure skating is a sport that requires a high level of energy, and even athletes in peak condition get worn out after the demanding 4-minute free skate (which is why most of them put their jumps—the hardest part of figure skating—near the beginning of their programs). Based on Irina’s performances, though, you’d never know anything was wrong with her. She displays a boundless energy that’s practically infectious while she’s on the ice. Even better, she’s twice as perky off the ice and has a wonderful attitude. She’s a little bit goofy and cute as a button (a phrase I could’ve sworn I’d never use, until I realized it fit Irina perfectly):

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To help illustrate just how amazing she is, when crappy interviewer extraordinaire Christine Brennan talked to Irina several minutes after her qualifying skate, Irina was still so out of breath she could barely complete a sentence. But when she’d been on the ice there was no indication that she was even slightly winded. That’s simply a level of performance no other skater in the world can match.

Anyway, the point is that she muscled through the pain and fatigue to deliver three performances that were not only flawless but beautiful. The world championships were held in Russia this year for the first time in over century and when the home crowd (for Irina’s Russian, in case her name didn’t give that away) went nuts over her I just couldn’t help but get swept up by it. When she started crying after her final performance, I got a little weepy myself. (Yeah, I said it. So what?)

So she won the gold, and her winnings for the competition totaled $40,000. If that’s not the plot to a classic against-all-odds sports movie, I don’t know what is.


Holy shit. I had a lot more to say about figure skating than I thought I did. If you actually made it this far then I can only say thanks for sticking with it—and I’m sorry I’m such a longwinded bastard. I’m afraid the “Amusing : Dryly Informative” ratio was far too heavily weighted toward the right-hand side this time around, so I will do my best to make my next entry both extremely short and at least mildly entertaining.

I must say, though, that as a guy it’s nice to have at least one sport I can point to and say, “Yeah, I watch that.” Even if it’s not one that will generate an office pool anytime soon. But hell, my alma mater’s basketball team didn’t even make it into the NCAA championship this year! So why should I waste my time with that crap anyway, right?

Thursday, March 10, 2005

Pocari Sweat? Hai!

You know what rocks about Japan? Lots of stuff. But one thing in particular that I’m thinking about at the moment is their vending machines. They have vending machines for everything, and I think we Americans, as a country of consumers, are shamefully far behind in the whole vending machine technology race.

Hm.

I wonder if I’m making any sense at the moment, so let me back up and start differently: I am starving. I just ate lunch a few hours ago, but now I’m hungry again. I just walked to the lunchroom and nothing I saw in our two vending machines was going to satisfy my cravings, so I walked back to my desk empty handed. Then I remembered that Japan has these vending machines that dispense real food. Like hot soba noodles, fried dumplings, etc. The first time I saw a row of these things (in a rest stop outside Tokyo, no less) I laughed, took a picture of them, and then immediately bought some ramen. Not because I was hungry, but because I basically bought something out of every weird vending machine I saw while in Japan. (Sadly, though, I never found one of those infamous “girls’ panties” vending machines I’d heard so much about, so I suspect that they don’t really exist.) But to my surprise, the ramen was actually pretty good. I figured it would taste rubbery and/or not very much like food, but I was wrong. Never let it be said that the Japanese don’t know what they’re doing when it comes to the creation of innovative machinery.

Shortly after my trip I began to wonder why America hasn’t jumped on this particular vending machine bandwagon. I do realize that, for as consumer-oriented as we are in the States, the Japanese are even more so--but how can you go wrong with hot food from a vending machine? Sure, sometimes a Snickers Bar is all we need, but more often than not I’d prefer something with a little more substance.

Anyway, my point is that I’m hungry and it’s too cold outside for me to be willing to walk to the Chinese takeout place that’s a mere two blocks away. And I could order delivery, but then everybody would be like, “Why didn’t you just walk over there?” Plus they have a $15 minimum delivery cutoff, and all I really want is some wanton soup and an egg roll.

Stupid lunchroom Coke machine. You don’t even talk.



You know what else rocks? Spending the weekend in Boston. Well, not in Boston per se, but in the ‘burbs, where my older sister lives. Monday is my niece’s first birthday and my parents, my brother, and I are all descending on my sister’s house tomorrow to help her celebrate. Yee-hah! I had some anxiety picking out presents (on Sunday, which I failed to mention as part of my “getting a lotta shit done on Sunday” entry a few days back), because I don’t really remember a whole lot from when I turned 1 year old. Plus I wasn’t a girl, even back then. So I visited this swanky toy store I found (mainly because it’s right next to the Borders in which I’d been browsing; yes, I’m quite the detective), and the nice lady with the big Jersey hair who runs the place pointed me to the toddlers aisle.

Here’s my problem: I pick presents based on how cool I think they are. This strategy normally works whenever I’m finding stuff for adults, but not in the case of my 1-year-old niece. Don’t get me wrong, I found plenty of stuff to get excited about--like this giant multicolored plastic cube thing that had all these buttons and cranks and made some crazy noises--but each time I saw something cool I’d notice a fat logo on the side of the box that said “18 months and older.” Apparently you have to be 1 1/2 before you’re allowed to play with the really cool toys. So to an outside observer I probably looked and sounded a lot like Ralphie’s little brother on Christmas morning in A Christmas Story: “Oh boy! That’s mine!” [sees “18 months” logo] “Aww...” [picks up another cool looking toy] “Hey, wow!” [sees “18 months” logo] “Aw, c’mon Ralphie, jeez...”

But I finally found a few interesting items that were suitable for the second-class citizens of toddlerdom (in this case a simpler version of the noisy-as-all-hell cube thing and a set of cups with goofy faces and odd holes poked in them for use during bath time, of which I’m told my niece is a big fan [meaning bath time, that is—-not cups]), stood in line to make my purchases, and made a mental note to come back when the store wasn’t as crowded and I’d be able to play with all the Legos without being subjected to weird looks from parents and kids alike.

Apparently that kind of thing is frowned upon if you don’t have a kid of your own in tow....

Tuesday, March 8, 2005

Where Have the Buffalo Gone?

Last night I got to sing my “nobody cares” song a record four times during 24, each time in reference to Erin Driscoll’s emotional blubbering about the death of her annoying daughter. I’m generally not so heartless when it comes to tragedies such as this, but (a) the daughter was super obnoxious and had absolutely no endearing qualities that would lead any normal human being to sympathy, and (b) Driscoll is a character without character. She isn’t even enough of a “slimy government bureaucrat” type (like previous CTU heads George Mason and Ryan Chappelle) to make me hate her. I simply feel nothing. So every time she or her daughter appeared on screen all I could do (aside from sing my very catchy "nobody cares" song) was groan and hope that Jack would shoot and/or otherwise torture somebody very soon. Thank god Tony (and now Michelle) are back so that I can stop dreading the scenes that take place inside CTU headquarters. Who knew the counter-terrorism unit office could be such a boring place to work?

(By the way, if you’re a fan of 24 but also acknowledge that it’s a little bit silly, I urge you to check out this site. The nicknames alone are worth your time.)



So I had a great weekend and I’m going to tell you all about my Sunday, because I feel like I accomplished more than I usually do. First of all, I woke up at 8:30 (which is really early for me, as far as the weekend goes) and decided I needed a trip to Borders, since I hadn’t been book shopping in a while. A word of advice: never go into a bookstore with me unless you’re willing to spend the next two to three hours of your life there. I don’t know why but once I start browsing I can’t stop, and next thing I knew it was noon. So I bought the few books I’d decided a couldn’t live without (David Schickler’s Kissing in Manhattan, which sounds like a girly book but isn’t--assuming I have formed an adequately educated opinion based on the one short story contained within that I’ve already read [i.e., “The Smoker,” which originally appeared in the New Yorker a few years ago and quickly became one of my favorite short stories ever]; Nabokov’s Mary; and the Vintage collection of Nabokov’s short stories--both of which I’m ashamed to admit I didn’t already have in my possession) and then dropped by Panera Bread for an overpriced sandwich.

As soon as I got home I started reading Donald Barthelme’s Snow White. Now you may be wondering, based on the previous sentence, if your body just jumped into an alternate/parallel universe in which I had bought a different group of books while at Borders. But you can rest assured that your life hasn’t turned into a bad episode of The Outer Limits. I’m the kind of dumbass who buys books and then doesn’t read them. I often ask myself why I feel like I can’t live without a certain book in my library, when all I seem to do is buy it and then stick it on a shelf so it can gather dust for the next three years. (I still haven’t read Nabokov’s Ada, or Ardor, which I acquired back in 1996, and yet I just bought two more of his books on Sunday. That’s idiotic.)

Anyway, Barthelme’s Snow White was just as I expected it would be. Completely postmodern and antinarrative and antifun, for the most part. I liked bits of it, but all-in-all I felt like I was missing something (which is how I usually feel when I read a novel by him, or Pynchon, or Joyce, et al.). And to that I say bleeegh. A friend of mine was getting rid of a bunch of books from her own library a few weeks back, and this is one of the books I’d taken. It’s an old paperback copy of the book that came out in the early ‘70s, and someone (probably my friend) had underlined a bunch of phrases in the book. The funny thing is that they aren’t the phrases I would’ve underlined if I were still inclined to do that sort of thing. (Thankfully, this is a habit I abandoned as soon as I got out of college, though I do still keep a journal in which I jot down interesting sentences from the books I read.) But of course my friend used to be a college professor and is ridiculously smart, so I trust that her understanding of the book was much better than my own. Still, the worst bit was the recurring (and, as far as I could tell, nonsequitur) phrase, “Where have the buffalo gone?” which is the kind of postmodern thing I’d normally ignore, but in this case it reminded me of something I couldn’t quite put my finger on.... Any ideas? Anyone? Anyone?

Anyway, here’s the one--and only--fragment from the book that I wrote down in my journal: “We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant), but which, carefully attended to, can supply a kind of ‘sense’ of what is going on. This ‘sense’ is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves--looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having ‘completed’ them.” Ha ha. Yup. You can say that again.

Regardless, I finished the book in one sitting (never mind that it was only 180 pages and most of those pages were only half full with words--this being a postmodern novel and all), and that made me feel like I had truly accomplished something with my day. Even if I didn’t “get it” and will have forgotten the point by next weekend.

Maybe I should’ve just watched TV instead....



Time for an overshare: I think I pinched a nerve in my ass yesterday morning. As soon as I arrived at the office I got roped into an hour-long meeting, and I think I kind of sat wrong on my chair. Do you ever have one of those mornings where you feel like everything in the world is running about one second ahead of you, and you’re perpetually struggling to catch up? It’s like watching a movie in which the sound is just perceptibly out of synch with the picture. That's how I felt Monday morning, and I think it was affecting my posture or something. Anyway, when I stood up I got a pinchy kind of pain in my left butt cheek. It felt like I’d pulled something, and it only hurt when I walked. But can you “pull” something while all you’re doing is sitting motionless?

This reminds me of the time that I threw my back out while opening the door to my car. I should probably mention that I have a keyless entry remote, so I wasn’t even using my key. All I had to do was bend slightly and pull the door handle. But something gave way and my back was all wonky ‘n’ shit for the next three months. Because I opened my car door.

I am one decrepit bastard.

But I’m pleased to announce that when I woke up this morning the strained ass muscle (or whatever it was) didn’t hurt anymore, so I’m fine now. Thank goodness for that.



Also, you might like to know that I’m still finding rogue packing peanuts around my office, but they seem to have grown more docile as their numbers have diminished. Now I can force them into my trashcan pretty easily. I don’t even have to yell.

Last but not least, I’m getting the heck out of here because it looks like the apocalypse has hit the East Coast in the form of icy white pellets of slippy-slidey death. [El niño-style sidenote: it was 60 degrees and sunny yesterday. WTF?] And my car doesn’t like it when its wheels go in the direction opposite to the direction in which I just turned the steering wheel. Oh wait, that’s me who doesn’t like that.

So peace out, and to all my fellow East Coasters: drive safe!

Friday, March 4, 2005

“We’re Sonic Fucking Death Monkey!”

Here’s proof that I was in a completely bitchy mood yesterday: I just realized that in my blog I used the 'f' word six times. Whoa! Easy there, crazy man.

But as I was sitting at a stoplight last night, still fuming about my lame-ass superpowers (I would’ve started calling myself Repulsor Man if my inability to pick up static-charged objects had continued), I noticed an old couple--probably in their 70s or 80s--sitting in the car behind me. What had caught my eye in the rear-view mirror was the man tucking a white blanket around his wife, who was the one in the driver’s seat. She was obviously cold, and he was doing everything he could to make sure she was comfortable on their drive home. It was just about the sweetest, most touching thing I’d ever seen. So my mood improved greatly after that.

When I got home I watched one of my favorite movies, High Fidelity. Ever since Sixteen Candles I’ve considered John Cusack to be one of my personal heroes. Though I wouldn’t consider him my “favorite” actor, he has starred in (and even taken part in writing a few of) some of the best movies ever: Sixteen Candles, Better Off Dead, One Crazy Summer, Say Anything..., The Grifters, Bullets Over Broadway, Grosse Pointe Blank, Being John Malkovich, and the aforementioned High Fidelity. He’s the kind of actor I think I’d like to hang out in a bar with, because he’d be interesting to talk to--and not just about movies.

Anyway, one of the highlights of High Fidelity (aside from John Cusack, Joan Cusack’s classic line, “You’re a fucking asshole!,” and Jack fucking Black, the most ridonculous [his word] film comedian since Jim Carrey circa 1994) is the top five lists. I love lists. Especially “favorites” lists. They’re fun. So when I was watching the movie last night I said to myself, “I should come up with my own answers to these questions.” And since I had nothing better to do with my time, that’s what I did.

Now, obviously I didn’t come up with the top five things I miss about Laura, because that would just be stupid. And although I do have a top five break-ups list this entry isn’t about me weeping into cyberspace, so it’s been nixed. Nor did I come up with a list for Barry’s “Top five musical crimes perpetrated by Stevie Wonder in the ‘80s and ‘90s” because it’s not a question that’s meant to be answered (and because I can’t even think of any songs, other than “I Just Called to Say I Love You,” that he wrote in the ‘80s and ‘90s--though I’m sure many of them were none too good).

Now that I’ve bored you with the ground rules, here we go....

Top 5 Records to Listen to on a Monday Morning:
  • Axis: Bold as Love, The Jimi Hendrix Experience
  • Orbvs Terrarvm, Orb
  • Vespertine, Björk
  • Dear John Coltrane, Vanessa Daou
  • Life, The Cardigans

Top 5 Side Ones Track Ones:
  • ”Immigrant Song” (Led Zeppelin III, Led Zeppelin)
  • ”Big Exit” (Stories from the City, Stories from the Sea, P.J. Harvey)
  • ”Gimme Shelter” (Let It Bleed, The Rolling Stones)
  • ”Angel” (Mezzanine, Massive Attack)
  • ”Move Any Mountain” (En-Tact, Shamen)

Top 5 Dream Jobs:
  • astronomer
  • professor of English literature at Wellesley (like my man Nabokov)
  • president of LucasArts, Ltd. (adios, George!)
  • movie columnist for the New Yorker
  • professional lottery winner

Top 5 Songs about Death:
  • ”Lucky Man” (Emerson, Lake, and Palmer)
  • ”Gallows Pole” (Led Zeppelin)
  • ”Sunday Bloody Sunday” (U2)
  • ”Sometimes It Snows in April” (Prince)
  • ”Watching TV” (Roger Waters)

Top 5 Songs at My Funeral:
  • ”Comin’ Back to Me” (Jefferson Airplane)
  • ”Sunday, Part II” (Cibo Matto)
  • ”Invisible Sun” (The Police)
  • ”Home” (Depeche Mode)
  • ”It Was a Very Good Year” (Frank Sinatra)

[By the way, I realize High Fidelity was based on a novel by Nick Hornby, and I’ve heard it’s pretty good. But I have this thing about mixing books and movies. If I love a book (such as Nineteen Eighty-Four) then I refuse to see the movie. Similarly, if I love a movie (such as Fight Club, The Ninth Gate, The Beach) and I haven’t read the book already, I usually never do. As often as seeing a movie that’s based on a book I love has backfired (e.g., The Time Machine—twice over), the same thing has happened when I read a book that was the basis for a movie I love (e.g., The Dumas Club, on which The Ninth Gate was based, was a thoroughly disappointing book). So I’ll probably never read High Fidelity. Unless someone tells me I must read it (although that’s how I got roped into reading The Dumas Club).]

So there you go. If you get inspired to come up with your own top fives, I hope you’ll share them with me. Because if it’s one thing I like more than making lists, it’s reading lists that other people made. Spread the love, people.

Thursday, March 3, 2005

I Hate Winter, Part II

Man, fuck this cold weather. Seriously.

This morning I discovered that I hold my breath when a really cold wind whips up. I was walking to work in the Subarctic Wind Tunnel of Frosty Doom (also known as the sidewalk leading from the parking garage to my office) this morning when I noticed that I felt completely out of breath. At first I thought it was because I was walking quickly (something I don’t usually do, ‘cause I’m lazy), but then I realized I just wasn’t breathing.

Whenever a cold blast of air hits me, apparently my lungs seize up and refuse to inhale. Like breathing in windy cold air will make me any colder than I already am, breathing in regular cold air. My lungs are idiots. Good lord.

Total hatred of winter continues: In my job I receive a lot of packages that contain manuscripts from authors. The men and women who have been writing books for years and years usually just band the pages together with a couple rubber bands and toss them into a box. Because they understand one crucial thing: paper isn’t fragile. (Or maybe they’re just jaded and don’t give a hell anymore. Either way it’s fine with me.) But the young, excitable newbies who just wrote their first masterpiece on the sex lives of garden slugs or whatever don’t know this and send their manuscripts in boxes cushioned with bubble wrap, newspaper, and one of two kinds of packing peanuts (either the Styrofoam kind or the biodegradable kind). Or a combination of all of these. Normally when I get a package full of this crap I just smile and shake my head. But in the “I hate winter” mood that I’m currently in, and what with static cling being all the rage today, I want to send out a memo to every author I’m ever going to work with:

Dear Sir or Madam,

Believe it or not, paper will not break. Sure, it can rip, but not while it’s inside a box, banded together with hundreds of other pages just like it. So you don’t need to wrap your manuscripts like they’re made out of porcelain. It’s just paper. I swear to god it will not be harmed in any way while on its journey to me. So stop it! ARGH!!! Hulk SMASH!

Sincerely,
Mark

Why am I being such a baby, you ask? Check this out: There are Styrofoam packing peanuts all over my office right now. And by “all over” I mean they’re literally all over. On the floor, under my desk, clinging to the side of my desk, clinging to my chair, clinging to the manuscript they were supposedly protecting (and apparently still want to protect), hanging out in the hallway, etc. In fact, they’re everywhere but where I tried to dump them initially, which is into the trashcan.

No matter what I try, the packing peanuts continue to literally fly up and out of the trashcan like they're part of a zero-gravity space shuttle experiment. They cling to my hand, and so I try to kinda whip them off, like how you’d shake water off your hands, but as soon as they make contact with the plastic trashcan they fly back at me like a yo-yo. It’s like a vaudeville comedy routine, except that there’s no one around to enjoy it. And I sure as hell ain’t laughing. Believe it or not I finally said, “Get in the fuckin’ trash can!” As soon as I start yelling at inanimate objects, I know my workday is over. Or at least it should be. Because it means I am not having a good day.

Earlier, I was chasing them around my office like a nincompoop, trying to collect them all. But they’re acting like that gingerbread man from the children’s story--and ooo I hated that stupid gingerbread man, and I was glad when the wolf ate him (was it a wolf?). Aw, screw you little peanuts. You’re not even edible.

To add insult to injury, there were also some of the biodegradable peanuts mixed in, too, and so I’ve also got packing peanut dust all over the floor, on my pants, and on my shirt, because when I broke down the box all the dust that was hiding in the flaps sprayed out. I’m sneezing like mousemilk, only with less mucus involved.

The cleaning lady’s really gonna hate me tonight.

Monday, February 28, 2005

Jude Will Never Work Again!

Ahh, the Oscars. They’re totally shallow and pointless, and yet I can’t stop watching. Usually I look forward to Oscar night, but this year I just wasn’t in the mood--which is weird, since my two favorite actresses (Natalie Portman and Kate Winslet) were both nominated. So I watched the show anyway, because I knew that if I taped it to watch later, I’d just come to work this morning, find out who won, and that would be the end of it. So I struggled through and actually ended up enjoying most of it--even though none of the people I was really rooting for ended up winning. But that happens to me every year, so it wasn’t much of a surprise. (I put no credence in the Academy’s picks anyway, since they’re always wrong as far as I’m concerned--and I’m always right. Right?)

Before the show, Orlando Bloom was talking to one of those red carpet monkeys (I wanna say it was Chris Connelly, but honestly I can’t remember if that’s right), and Chris had just asked him why Johnny Depp is such a well-respected actor. Orlando got about one and a half sentences into his answer when Chris interrupted him to say something like “Good to see you, Orlando; now let’s throw it over to that other carpet monkey who’s talking to someone more famous than you are.” Burn! (To borrow parlance from That ’70s Show.) The worst part, of course, is that Chris hadn’t even asked Orlando about himself, but rather about an actor he had worked with in the past. Double burn! I’ve often said that Chris Connelly is the only good thing to come out of MTV, but I might just have to revise my opinion.

Here’s something else that I thought was a bit tacky: Was it necessary to cut to Sean Combs when Chris Rock made the joke about the Source Awards? Cutting to every black person in the room during Chris’s opening monologue was to be expected, I suppose, but cutting to the one black rapper in the room after a joke about guns was ill advised in my opinion. Not that I’m into political correctness or anything, it just seemed uncool.

As for the show’s treatment of the ghetto awards (e.g., best art direction, best makeup, etc.), I’m a bit torn. It makes total sense to bring all the nominees on stage for the announcement since those poor suckers are always in the cheap seats, which means a full minute or two of airtime is wasted while we wait for them to walk to the podium. But the people who got their awards in the audience--and weren’t even allowed to go on stage for their acceptance speech--got screwed over. Let’s do some math. There are something like two dozen awards given out on Oscar night. Half of them are given to people we’ve never heard of, and they get, literally, 30 seconds to say what they have to say. The other half get maybe 45 seconds to a minute, depending on who they are. That’s somewhere between 15 and 17 minutes total for all the speeches of the night (if you don’t include Sidney Lumet, which I don’t). The broadcast lasts about 4 hours, which means the speeches account for about 6 percent of the broadcast. What is wrong with this picture?

I’ll tell you what’s wrong (‘cause I got opinions, in case I haven’t made that clear already). The problem is the musical numbers--and the problem with the musical numbers can be summed up in two words: Counting Crows. If you need a few more words, how about “Antonio Banderas.” I find it strange that “Best Song” is the award that always gets the most screen time during the Oscars broadcast. Even the “Best Picture” trailers don’t take up as much time as the songs do. It wouldn’t be such a drag if (a) the songs weren’t written by washed-up pop stars whom nobody cares about anymore (i.e., Phil Collins, Randy Newman, Sting), (b) the songs didn’t sound like they were written by washed-up pop stars whom nobody cares about anymore, and (c) the washed-up pop stars weren’t allowed to perform these songs during the broadcast.

That said, I wasn’t unhappy with Beyonce’s total domination of the musical numbers. In fact, my favorite “what the hell?” moment of the evening was when she sang in French while surrounded by a bunch of miniature movie theater ushers. Also, I didn’t see The Phantom of the Opera (because Webber’s musical is bad enough, and because the movie version was directed by Joel Schumacher, and because...well, how many reasons do you need?), but I laughed when the actress from that movie introduced the nominated song but didn’t get to sing it. Especially since it was Beyonce’s second appearance of the night, which made it seem like even more of a slap in the face. Welcome to Hollywood, sweetheart!

Back to Sean Combs: When he got up on stage and said he was there to introduce a song from a “hip” film, I assumed (based on the expectations the show had set up for me so far, i.e., by cutting to a black person in the audience whenever anyone said something about black people) that he was there to introduce a song from Ray. Then when he said “Polar Express” I wondered if it was the start of a lame joke. But it wasn’t. So I have to ask, Who invited Sean Combs to the Oscars? And why? He was the only guy there with absolutely no connection of movies in any way, shape, or form. Regardless, the dude who sang this particular song with Beyonce looked scared beyond belief, and at times he was as flat as a pancake. If the Counting Crows hadn’t showed up, this definitely would’ve been the worst performance of the night.

Speaking of worsts, the worst introduction was for Mike Myers, who was introduced as “the lovable Mike Myers.” What a ridiculous adjective to attach to a comedian, or to anyone whom you don’t know personally, for that matter. Or did they introduce him with an adjective because they were afraid we were going to confuse him with another Mike Myers?

Sidney Lumet’s honorary Oscar was nice, I guess. I like a few of his movies, but pretty much all I got out of his movie montage was the shock of seeing Vin Diesel with hair, and then deciding that Vin Diesel looks like a total nerd when he’s not bald.

You know what makes me sad? The “clapping wave” that takes place during the In Memoriam section of the show. Christopher Reeve gets claps and shouts and whistles--all of which he deserves--but the screenwriter who wrote two hits in the 1960s and then fell into obscurity is lucky to get those polite golf claps reserved for the unfamiliar. It’s great that they get recognized, but it’s sad that they don’t get recognized, if that makes any sense...

And now, to borrow a bit from the lovely and talented Kristin, I present a memo addressed to the stodgiest actor in Hollywood:
Dear Sean Penn,

Holy shit, man--you need to develop a sense of humor. Seriously, I am begging you. Jude Law doesn’t need you to defend him from someone who makes fun of people for a living. Especially since, as Chris pointed out, Jude’s been in quite a few popular movies lately. More, in fact, than you have been a part of for several years now. So relax! Jeezus.

Sincerely,
Mark

P.S. By saying “these are the Academy’s favorites this year” before announcing Best Actress, you basically diminished Hilary Swank’s much-deserved Oscar. Not that she cared (or even noticed), but still. Don’t be such a dick.

P.P.S. Please don’t punch me in the head. Thank you.
And finally, I was glad to see the Oscars continuing its tradition of recruiting whacked-out actors to announce the winner of the Best Film award. Dustin Hoffman was, without a doubt, completely drunk. He slurred every single word and seemed more than a little disoriented. Barbara was, as usual, of no help whatsoever--since she forgot to bring her reading glasses on stage with her. Talk about a show stopper.

So that’s it for my take on the broadcast. For the record, here were my picks:

Best Actress: Kate Winslet, my second-favorite actress. Though Hilary Swank certainly did a fine job and deserved to win, too.

Best Actor: I think both Johnny Depp and Leonardo DiCaprio are better actors than Jamie Foxx, but all three of them were nominated for playing historical figures and biopics tend to bore the hell out of me, so whatever. (And not that it matters, but the tattoo on the back of Jamie’s head is completely distracting.)

Best Supporting Actor: Morgan Freeman was the right choice, definitely. The man said “Heavens to murgatroid” when he walked up to the podium! I thought that was awesome. I mean, he’s suave, he’s gracious, and he has the coolest voice in Hollywood, so how can you go wrong? (I also enjoyed his sly wink to the camera during Al Pacino’s introduction of Sidney Lumet.) That said, I would’ve liked to see the dude from Wings win, if only because it would’ve been kind of funny to watch Lowell give a speech.

Best Supporting Actress: Natalie Portman, naturally. Cate Blanchett’s a great actress, but again I’m not a big fan of the biopic thing. Besides, this was Natalie’s first truly grown-up role, and she gave it her all (and no, I’m not referring to the stripper scene; or, at least, not just to the stripper scene).

Best Picture: I guess Million Dollar Baby was the right choice, since I really don’t have much of an opinion on the other four (biopic, biopic, biopic, and a movie about wine).

Best Director: With each passing year, Clint Eastwood reminds me of my grandfather more and more. So he’s okay by me. Oh yeah, and he made a pretty good movie, too.