Thursday, June 22, 2006

Book Crazy, part 5


The books housed on the following two cases may seem like we’ve reached the dregs of my collection (and with good reason), but in fact I have two more cases to go after this, and they’re a few of the best.  So we’ll just have slog through these two as best we can.  Ready?




Bookcases 9 & 10


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Not the best photograph I’ve ever taken, but there you go.  Not shown on the top of these two shelves is my entire collection of Heavy Metal magazines, circa 1977-1986.  I need to figure out some way to store them, because they look kind of trashy just sitting there on the top shelf. 




Case 9 – Top Shelf


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Perhaps the most random shelf on any of my bookcases.  This one contains a few binders that contain some Linsner trading cards (NERD!), a (now defunct) catalog of my VHS videotapes (NERD!), and a fully cataloged list of my individual comic books (NERDOTRON 2000!).  Also here is a draft of my college honors thesis (in the brown report cover), two Comic Albums that contain issues 1-50 of Love & Rockets, a few books given to me by my grandparents several years ago, the Turba Philosophorum, the novel Metropolis illustrated by Kaluta, and Chuck Jones’s biography.  Finally, there’s my modest collection of old The Comics Journal issues, circa 1987-1991.




Case 9 – Second Shelf (Front)


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Ahh, nostalgia.  This shelf, both front and back, could be considered a time capsule of my pre-Asimov childhood reading habits.  (Ignoring the trade paperbacks to the left, that is, which are all from the last ten years.  2001 Nights is another Japanese comic book I can get behind 100 percent, I like Scott Morse’s first Soulwind book, and Gon is, well, almost entirely indescribable.)

In the center and vertically stacked are my Archie Comics Digests, which represent the only comic book reading I did as a kid.  Then there was a gap of several years before I started reading comics again.  I used to take these things with me on every trip my family took, and I would read them over and over again.  It’s funny how a kid can be entertained by something ad nauseam.  These days I barely read anything twice, let alone dozens of times.  I suspect I know those old Archie stories better than anything else I’ve ever read.

Next to my Archies is my small collection of Little Big Books (or is that Big Little Books? I can’t remember).  As you can see from the creases on the top one they, too, were well-read when I was a kid.  Next to those is my Queen Amidala commemorative tin (shut up!), on top of which are my dad’s own childhood Better Little Books starring Red Ryder, Gene Autry, and Roy Rogers.  As you can see, my dad’s taste in childhood reading was a bit more macho than my own.  But I read them myself as a kid so I suppose I get some points for that. 




Case 9 – Second Shelf (Back)


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As we reach the second substrata of my childhood reading habits, I am brought back 20 years to some of my favorites:  My Side of the Mountain, Tales of a Fourth Grade Nothing, The Wonderful Flight to the Mushroom Planet (that’s the one with the ripped-up binding—again, because I read it to death as a kid), Ghosts Who Went to School, The Secret of N.I.M.H., Superfudge, etc.

Next to that stack are my Choose Your Own Adventure books, my Dungeons & Dragons choose your own adventure books, a few other choose your own adventure knock-offs, an embarrassing number of Family Circus collections (did I ever find that comic strip funny?), and a few Mad Magazine collections.

Next to that are my Empire Strikes Back, Battlestar Galactica, and Hot Stuff comic book collections. 

Then, on the far right, are my really old books.  The top half are books that my mom and dad gave to me from their own childhoods.  Then there are some Akiko novels—which are not from my childhood, but I wish they’d been around when I had been a kid—and some other notables (such as The Ghost on Saturday Night,  Mystery in the Night Woods, etc.). 

Did anyone else ever have a Me-Book?  Mine is called My Birthday Land Adventure.  This is how they worked:  you (or your parents, or whoever) sent this company all this information about you, such as your name, when and where you were born, where you live, the name of your best friend, and so on, and they insert all these facts into a standard story (kind of like Mad-Libs), then type the story onto the pages of a book that has pre-printed pictures on them.  As a kid I thought it was the coolest thing ever.  I wonder if they still make these?

Finally, the I Hate Mathematics Book almost singlehandedly taught me math as a kid.  I was having the hardest time with fractions in third grade, and then all of a sudden, this book turned me into a friggin’ math genius.  Seriously.  The clouds parted and math was never a problem again.  I’ll always have a fond place in my heart for that book.  It saved me from a life of pumping gas.




Case 9 – Bottom Shelf


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From childhood books to books that you should never show a child.  Here’s my collection of comic books of a dubious nature.  Milo Manara, Azpiri, R. Crumb, Little Annie Fanny, Omaha the Cat Dancer, and some other assorted stuff from Bodé, Richard Moore, Michael Manning, etc.  It’s probably best not to dwell too much on this shelf.  Um, LOOK!  Star Trek blueprints!  Wow!




Case 10 – Top Shelf (Front)


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Here’s my aforementioned second set of Tolkien books, all of which I’ve never read (with the exception of The Hobbitt and Fellowship of the Ring).  I enjoyed Rick Moody’s Garden State, Tim O’Brien’s Going after Cacciato, Richard Powers’s Galatea 2.2, and Arthur Miller’s After the Fall (a semi-autobiographical/semi-fictional play about many things, including the author’s marriage to Marilyn Monroe). 




Case 10 – Top Shelf (Back)


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There’s a reason why most of these books are behind the front row.  I don’t have a lot to say about any of these.  I’m lookin’, I’m lookin’....  Nope, nothing to say. 




Case 10 – Second Shelf


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If you want to check out a comics anthology that really tests your stamina when it comes to reading something totally off the wall, then Blab is for you.  I’d been really looking forward to Red Rocket 7 when it came out, what with Mike Allred calling it his love letter to American music.  But it was ultimately a let-down.  Trashman Lives! is classic underground comics by Spain.  This probably belongs on the shelf with Crumb, but there wasn’t any more room.  My little sister got me the Calvin et Hobbes collection (which is in French) while on a class trip to France.  Sky Doll is a gorgeous graphic novel that is entirely in French as well, and since I don’t speak even a bit of French I have no idea what the story is about.  But I love turning the pages and marveling at the artwork. 




Case 10 – Bottom Shelf


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Here we have a bunch of random Writer’s Digest magazines, some guitar tablature books, the GRE in English prep book, and a bunch of screenplays.  To the right of that stack is all that remains of my once majestic LP and 45s vinyl collection.  Note the (rather dusty) copy of Prince’s 1999 on top.  I don’t have a turntable anymore, but I want to get one because the main reason why I still have most of these albums is because I never bought replacements for them on CD. 

Next to those are various sketchbooks and a few notebooks that contain notes on books I’ve read for the last 11 years, including the infamous “Marilyn Notebook” that Julie found early in our relationship and deemed “really weird.”  Thanks, Sweetie.

On the end are my high school yearbooks.  In which you would see one or two pictures of Mark with a mullet (his senior year).  Too bad for you, additional photos are not included on this page.  Go Panthers!

Wednesday, June 21, 2006

Book Crazy, part 4



 Back to the comics, folks.  Honestly, did you think that first bookcase would be it in terms of Mark’s super-nerdo comic geek department?  Noooo, sir!

Bookcases 7 & 8

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Case 7 – Top Shelf

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Alan Moore.  He wrote Watchmen.  He wrote V for Vendetta.  He wrote Miracleman.  He wrote Swamp Thing for a while.  And the entire America’s Best Comics line—until a few years ago, anyway.  Sadly, he wrote only two issues of Big Numbers and I’ve been waiting over a decade for the conclusion of Lost Girls.  I will fight anyone who tries to claim that Alan Moore is not the greatest contemporary comic book writer in the universe.  Eh, not really.  I’m a lover not a fighter.  But Alan Moore’s the shit, for real.

What can I say about Sandman?  For as much as I love Alan Moore I have to admit that if it weren’t for Neil Gaiman’s 75-issue masterpiece, comic books would be hovering somewhere between disco music and monster truck rallies in the ghetto of popular entertainment.  As Brad said in Fast Times at Ridgemont High:  “Learn it.  Know it.  Live it.”  I have lent Sandman to people with absolutely no interest in comics and for a couple of them it practically altered their state of consciousness.  Some of them never read a comic book again, but they still talk about Sandman.  It’s that good.

Strangers in Paradise is like a long-running soap opera that you like because you were there for the beginning and the characters have become personal friends of yours—in your mind.  It’s got a little of everything:  the wounded flower, the angry lesbian, the mysterious dude, cops, rock stars, organized crime bosses, sabotaged commercial airliners, etc.  Yes, Terry Moore lost the focused, core thread of SiP years ago, but I still buy it.  Or at least I did until he decided to end it, that is.  Usually I get sad when something I love ends, but I think many would agree that SiP’s time has come.  I look forward to seeing what Terry Moore does next.

Let me tell you a story about the guy at the other end of the shelf.  Everybody talks about what a nice guy he is.  Well, when I was working for a comic book publisher we produced a book that this guy had a hand in, and I was his point person at our company.  Although there were a few snags in the production of the book it was basically business as usual.  He had his requests and I complied with every single one of them.  The book came out, it looked nice, everybody was happy.  Then we went out to the summer conventions and one day this guy came up to me while I was standing at our booth and he said, “Hey, Mark, I just wanted to thank you for all the hard work you put into this book.  It turned out really well, and everybody’s proud of the way it looks.  Blah blah blah.”  I thanked him for his kind words and shook his hand, and when he left the head honcho at our company started laughing.  “What’s so funny?” I asked.  Turns out this guy had called my boss at one point and complained about the job I was doing, and laid it on so thick that my boss started to wonder if this guy was trying to get me fired.  I asked what this guy’s specific complaints were, and my boss said, “Honestly, it sounded to me like you just didn’t kiss his ass enough.”  Lucky for me, my boss can smell snooty bullshit from a mile away, and I didn’t get canned.  But still, I felt a little bit betrayed—especially after he had just walked up to me to thank me for the “great” job I’d done.  That seems pretty two-faced to me.  Nice guy, huh?



Case 7 – Second Shelf

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This is my collection of DC trade paperbacks (which only stretches halfway across the shelf).  I was strictly a Marvel fan as a kid, so although I’d pick up the occasional DC book, this is about as deep as I got into the DC universe.  I wish I had a better place to put my leatherbound copy of Frank Miller’s Batman stories.  It looks kind of out-of-place there.  Also, despite owning both the individual issues and the trade paperback version, I have never read Crisis on Infinite Earths.  And I heard that DC just did some big shakeup that reverted everything sort-of back to the way it was pre-Crisis, so maybe I won’t ever read it.  Kinda makes me wonder why I bothered. 

Y: The Last Man is a great series, as is Thieves & Kings and Powers.  In fact, Powers: Forever blew my mind.  It was one of those stories that you could tell the author had had in his head since the beginning of the series, and was just waiting for the right time to spring it on his readers.  It was awesome. 

The Chronicles of Conan collects the old Marvel issues illustrated by Barry Windsor-Smith, back when he went by the far less pretentious moniker “Barry Smith.”  ’Cause that’s, y’know, his name.  Anyway, the art is beautiful, but I’m kind of disappointed that Dark Horse recolored the pages, because the new colors tend to wash out Barry’s incredible lineart.  Before Marvel lost the license to these books they put out an Essential Conan book that collected the first 25 issues in black and white, and as far as I’m concerned that’s the way it should be (even though that’s not how it originally appeared). 

At the end of this shelf is Scott McCloud’s Understanding Comics, the book that is to comics what Harold Bloom’s Anxiety of Influence is to poetry.  As lap had mentioned previously, this book should be on “the fire bookcase,” and I vow that someday it will return to its rightful spot. 



Case 7 – Bottom Shelf

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Some good stuff, and some crap.

The good stuff:  the Archie Americana Series.  Archie was my personal hero from the ages of 6 to 11.  I will always have fond memories of Archie and his gang, and I’m not ashamed to admit that for a long time (i.e., from second grade to fourth grade) I wished I could live in Archie’s world.  It’s true.  Zot! (by the guy who wrote Understanding Comics) is also good.  Nexus is pretty good, The Maxx was good for a few issues, Beanworld is shockingly good, The Maximortal is great, 100 Bullets is pretty good, and the Classic Star Wars books are good mostly because of Al Williamson’s art. 

The crap:  Gen 13.  Oh, Mark.  What were you thinking when you spent that $15?  (Although I must admit that Adam Warren’s Grunge: The Movie is a guilty pleasure in the best possible way.)  Then there’s Forge.  There is a reason why this happened.  But Forge was by no means that reason.  This one time?  At ComicCon International?  This guy who pumped way too much moolah into a fledgling comic book company came up to the booth I was working at and said, “Hi, I’m [insert name here].  Is Bob [one of our more popular artists] here?”  “Yeah,” I replied.  “He’s walking around the hall at the moment, but he should be back for his signing soon.”  “Okay,” [insert name here] said.  Then, after a pause, he smirked at me and said, “Don’t worry, I’m not going to steal him away from you or anything.  Ha ha.”  Umm, okay.  Thanks for the heads-up, dickweed....  Cut to [insert name here]’s spectacular public flame-out three years later and me contentedly grinning from ear to ear.  Anyway, Forge is part of the crap but certainly not singlehandedly responsible for the death of a company.  That type of implosion takes a special kind of skill.

Hm.  Apparently, this diary entry is all about me airing my dirty laundry from my days in comics.  Sorry.  I swear that’s my last bad story for the day. 



Case 8 – Top Shelf

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Some of my all-time favorites are on this shelf.  Armageddonquest is absolutely the best comic book ever to tackle issues of metaphysics, religion (mostly of the Jewish, Christian, and Muslim variety), spirituality, and all that goes with it.  It’s thought-provoking, hilarious, disgusting, sexy, absurd, and terrifying.  I strongly urge you to seek it out if you have an interest in a story concerning religion that’s written and drawn by someone without a religious agenda of any kind.  To help explain what I mean, let me just say that in this story the antichrist is the hero.

Scary Godmother and Akiko are two of the better all-ages titles available for kids who don’t want to spend all their time reading endless variations of the latest Japanese Manga.

Poison Elves started off strong and promised to be one of the best dark fantasy titles out there.  It is to elves what Pulp Fiction was to gangsters in the mid-’90s (which is to say really dark and really funny).  Sadly, the author’s mounting health problems have led to a halt in the story, but with any luck Drew will be back up to speed in another year or two. 

Although I am supremely  reluctant to bestow “genius” status upon Matt Wagner, I will say that he created a pretty cool playground for other writers and artists with the Grendel universe.  Grendel Tales: Devils and Deaths was written by Darko Macan and illustrated by Edvin Biuković, two guys who lived through the Croatian War of Independence in the early ’90s and used their experiences to craft a story of war, sacrifice, and loss that still touches me today when I read it.  Although he didn’t go on to illustrate much that I would’ve otherwise taken an interest in, Edvin Biuković nonetheless became one of my favorite artists because of his skill in conveying scenes of true emotional power.  He died of a brain tumor in December 1999.  He was 30 years old.

Mike Allred’s Madman was a book that I loved when it first came out, but with each subsequent manifestation it became incrementally less weird and, as a result, slightly less fun.  Madman’s still a great character, though, and Allred’s art is retro-awesome.



Case 8 – Second Shelf

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The Marvel shelf (including DC’s Kingdom Come, for absolutely no discernable reason whatsoever).  Both runs of Frank Miller’s Daredevil are here, and those issues remain some of my favorite superhero comics.  Elektra: Assassin was less successful in my mind (though I love Bill Sienkiewicz’s artwork)—and the graphic novel Daredevil: In Love and War, by the same creators, is absolutely beautiful. 

Kevin Smith’s Daredevil, on the other hand, pissed me off beyond all belief, because he had the unimaginative gall to pull one of the oldest tricks in the book:  killing off a major character as a way of overcoming a lack of good dramatic writing by instead creating a shocking event.  Argh—screw you, Kevin Smith!  You haven’t created anything of artistic merit since Clerks! 

Ahem.  Sorry.  Brian Michael Bendis’s Daredevil run—or what I read of it, anyway—wasn’t too bad, but I ran out of steam before he did.  See, the problem for me, at this point, is that I feel as if I’ve truly outgrown the superhero genre.  Not because it’s juvenile—in fact, I feel as if it’s almost the opposite at this point.  Ever since Alan Moore and Frank Miller had their way over at DC in the ’80s, the superhero genre never fully recovered from the “grim and gritty” mode it fell into.  I miss the days of Ann Nocenti’s quiet, thoughtful, liberal-bent storytelling (Daredevil issues 236-291).  The Marvel Universe is just too complicated for me to get into anymore. 

Though, with that said, I’ll admit that I’ve been enjoying J. Michael Straczynski’s run on The Amazing Spider-Man.  How can you not like Spider-Man? 

Walter Simonson.  I love that guy.  His run on Thor was great, as was his run on X-Factor, one of my early favorite Marvel titles and my “gateway drug” to the much larger X-books universe, which I eventually started exploring—to my eternal dismay.  Still, Walter Simonson’s awesome. 

Peter David’s Incredible Hulk was great, too.  Once upon a time Peter David used to be truly funny.  Now he seems to be only “ha ha” funny, which is to say I can recognize when he’s made a joke, but it doesn’t make me truly laugh. 

G.I. Joe is special to me because it’s the first non-Archie comic book I started reading regularly (as I mentioned here).  Why Marvel stopped reprinting the old ’80s series in trade paperback form with issue #50 I’ll never know.  Oh well, I still have the original issues....

I love the Silver Surfer.  What a whiney bitch he was back then!  But oh so Cosmic!  He rides a surfboard.  In space, okay?  That’s freaking awesome.

As I mentioned before, Barry Smith’s linework in Conan was incredible, and this Essential book really shows it off because it prints the first 25 issues without any color.  Beautiful!

I’m also a big fan of Dr. Strange and his alliterative exclamations ("By the Hoary Hosts of Hoggoth!" "By the Mystic Moons of Munnopor!").  And his giant collar.  He also boasts one of the ass-kickingest comic book villains of all time:  Dormammu.  Good stuff.

Howard the Duck, finally, is another classic character.  Just pretend the movie doesn’t exist.  I know that’s what Steve Gerber does....

P.S. By the way, I hate the red and white Marvel spine logos.  I think they look tacky, garish, and completely unartistic.  Honestly, it’s one of the few things Bill Jemas instituted that I think Marvel should abandon.  Immediately.



Case 8 – Bottom Shelf

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A bunch of newspaper strip collections, including my all-time favorite, Bloom County; my second all-time favorite, Calvin and Hobbes; my fourth favorite, Doonsbury (particularly the book that collects Duke’s most infamous adventures—Action Figure!); and my sixth favorite, Li’l Abner.  My third favorite is The Far Side, and some day I will own the gigantic slipcase edition that contains every Far Side cartoon Gary Larson ever created.  More on my fifth favorite when we arrive at bookcase number 12.  (Notice the stack of Garfield books in the upper left-hand corner.  You may not believe me, but that first one, “Garfield at Large,” is a collection of the early Garfield strips, and they’re actually pretty funny.  This was, of course, back when Jim Davis did his own work rather than hiring subcontractors to do everything for him—including signing his name.)  On the far right-hand side you’ll see two ACME Novelty Library collections by Chris Ware.  You should read those if you haven’t already.



Aaaaand scene.

Thursday, June 15, 2006

Book Crazy, part 3


When will the madness end?  How many books does one person need?  If your name is Julie, the answer is “Oh, I don’t know, about five or six, maybe.”  If your name is Mark, your reply to that is: “Are you insane?  One must have millions of books!  Enough to fill a warehouse!  Enough so that, ultimately, one room in your house is designated ‘the library’ and has a balcony that circumnavigates the walls of the room’s second floor, not unlike Professor Henry Higgins’s library in My Fair Lady!”  To which Julie replies with a sigh, “You’re hopeless.”




Bookcases No. 4, 5, & 6




The above picture gives me vertigo a little bit.  These bookcases don’t appear so tippy in real life, but for some reason this photo has distorted them to the point where they look like something Dr. Seuss might’ve drawn.  Anyway, notable in this photo (which won’t be seen in the close-ups) is one of the first watercolors my mom painted.  For as beautiful as it is, she’s gotten even more talented since then.  Also notable in the foreground is the top of my ugly rocking chair, which I inherited as part of a furniture set (that includes the desk seen at the leftmost edge of the photo) from my grandmother.  If I had the inclination to get the chair a new pad it wouldn’t be nearly as ugly, but I haven’t quite gotten around to it, what with all the books that need perennial rearranging.  Finally, you’ll note that part of my DVD collection is visible (on the top and fourth shelves of the center bookcase, as well as on the top of the righthand bookcase), but that’s a whole other diary entry.




Case 4 – Top Shelf




An angry Smurf (whose name is Angry Smurf, duh) guards all 28 volumes of Koike and Kojima’s Lone Wolf and Cub, a staggering masterwork of Japanese comics (note, volumes 10-28 are behind the first row of books).  Remember how I said Akira was cool but kind of bizarre and sleepy in parts?  Well, Lone Wolf and Cub is none of those things.  “Cool” doesn’t even begin to describe it.  Epic, riveting, stunning, etc.  You are not allowed to say “I don’t really like Manga” until you’ve read Lone Wolf and Cub.  If you don’t like it (and I’m sorry, but that’s just not possible), then you can say you don’t like Manga.  Heck, I say I don’t like Manga all the time.  But I always add three exceptions:  LWaC, Akira, and Nausicaä of the Valley of Wind (see below). 

Also on this shelf is Brian Ralph’s lyrical (and wordless) Cave-In, a bunch of Jim Mahfood mini-comics, and Jordan Crane’s sweet little story called The Last Lonely Saturday (also in mini-comic form).




Case 4 – Second Shelf


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More Jim Mahfood (whose Stupid Comics crack me up); a great travelogue by Craig “Blankets” Thompson called Carnet de Voyage, which I recommend highly to anyone who liked Blankets; the aforementioned Nausicaä of the Valley of Wind, which is a great sci-fi/environmental tale from the guy who brought us such weird-ass movies as My Neighbor Totoro and Spirited Away; all the Small Press Expo anthologies, the proceeds of which benefit the Comic Book Legal Defense Fund; Ghost in the Shell 2, which is definitely one of the reasons to not like Manga (though the art is beyond beautiful); long-time Archie artist and Josie and the Pussycats creator Dan DeCarlo’s naughty side in The Pin-up Art of Dan DeCarlo; and Jessica Abel’s La Perdida, which I mentioned back here.




Case 4 – Third Shelf


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Some nonfiction favorites, particularly Vonnegut’s Fates Worse than Death, Dillard’s The Writing Life, Bryson’s The Mother Tongue, and Huxley’s The Doors of Perception/Heaven and Hell.  Crumb’s collected letters are fun because he tended to draw doodles in the margins, and the letters seem to present a man much different from the creator of Fritz the Cat and Mr. Natural.  Dreiser’s A Hoosier Holiday is on my shelf strictly because there’s a chapter in which Dreiser and his friend pass through my hometown of Bloomington, Indiana, where Dreiser went to college (at Indiana University).  It’s cool to read about your hometown from the perspective of someone who lived there a century before you did.  Next to that are all three of Isaac Asimov’s autobiographies, and they are probably the most entertaining and funniest autobiographies I’ve ever read.  The man was totally arrogant and convinced of his own greatness, but for someone as intelligent, successful, prolific, dry-witted, and compassionate as he was (he preceded Kurt Vonnegut as the Honorary President of the American Humanist Association), can you really blame him?




Case 4 – Fourth Shelf


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Have I mentioned that I’m obsessed with Marilyn Monroe?  Well, you ain’t seen nothin’ yet....  To the far left is the very first book about Marilyn Monroe that I ever bought.  I found it in the half-price section of a small bookstore off the town square in my hometown when I was 15.  It’s a great reference book.  Next to that are three biographies I haven’t read yet and then a “fictional biography” signed by Joyce Carol Oates when I met her a few months ago.  Weatherby’s Conversations with Marilyn is a unique narrative made up of a short series of sit-down interviews the author conducted with Marilyn shortly before she died.  American Monroe and McCann’s book are two scholarly approaches to Marilyn’s life and her impact on the world.  Both are extremely dry but more informative than the average “popular” biography.  The slim volume titled Marilyn Monroe: Photographs 1945-1962 contains the obvious, as well as an extended narrative by Truman Capote.  Don’t ask my why Nabokov’s autobiography and biography share this shelf with Marilyn.  I don’t have an answer for you.




Case 4 – Fifth Shelf


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A behind-the-scenes look at the original Star Trek series that is just as depressing as that book on Blade Runner, because it confirms all the rumors you’ve heard about the cast and crew of Star Trek hating each other and just generally acting petty.  But a guilty pleasure nonetheless.  My brother gave me that book.  Two Winona biographies/photo collections bought back when I loved Winona nearly as much as Marilyn Monroe.  Can’t wait to see A Scanner Darkly when it comes out.  Saucerful of Secrets is another guilty pleasure, dishing all the dirt on the catfights between Roger Waters and, well, everyone else associated with Pink Floyd.  The Sasha Cohen biography was, as I mentioned before, a gift from my beautiful, loving, and very understanding girlfriend, Julie.  Bless her!  And despite what anyone may have told you, Growing Up Brady is fucking hilarious.  If you loved The Brady Bunch then you have to read this book! 




Case 4 – Bottom Shelf


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More coffee table books, many of which would cause you to mistake me for a gay man if you didn’t know otherwise.  But, to the perpetual sorrow of gay men everywhere, I am not.  Anyway, here we have some Frank Lloyd Wright books, a few books about music/drug/hippie culture of the ’60s and ’70s, a few Old School “I love Hollywood!” photo books, another Winona book (see? I loved her!), and seven more Marilyn Monroe photo collections. 




Case 5 – First & Second Shelves


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Fiction on the top, nonfiction on the bottom....

Notable on the top:  Yevgeny Zamyatin’s We, the precursor to George Orwell’s Nineteen Eighty-Four (my favorite novel of all time).  Speaking of which, there are some more George Orwell novels, he being one of my favorites as a kid along with Poe, Wilde, and Asimov.  I didn’t really like Henry Miller’s Tropic of Cancer.  It would be one thing if he only looked down on the assholes in French culture, but he looked down on everyone.  Basically, he had a superiority complex through the entire book, which made me want to punch him.  But he’s dead.  So I couldn’t. 

Raymond Carver’s Cathedral is one of the most depressing books I’ve read.  No wonder he killed himself!  (heh) It’s good, though.  I didn’t like The Last Temptation of Christ, though I’m prepared to believe that it was the translation that bored me, and not the book itself.  In any event, I couldn’t figure out what all the hoopla was about when Scorsese’s movie came out.  Those Christians will protest anything.  A Clockwork Orange, awesome.  ‘Nuff said.  Well, okay—I’ll say more:  the language in this book is unlike anything else I’ve ever encountered.  Brilliant.  I even made my own Nadsat glossary so that I could keep up with the book on subsequent read-throughs.  Aren’t I a genius? 

Tibor Fischer’s The Thought Gang is one of the funniest books I’ve read, and I recommend it to anyone looking for a laugh.  Michael Chabon’s Wonder Boys is magnifique—I don’t care what you say, Max!  You wanna fight?  Just kidding.  Kissing in Manhattan is another one of my favorite books.  And Alan Moore’s The Voice of the Fire proves that he doesn’t need pictures to tell a mindblowing story.

Notable on the bottom:  Ploesti was written by one of my grandfather’s good friends, and my grandfather gave this book to me the last time I visited him.  A Supposedly Fun Thing I’ll Never Do Again is the funniest nonfiction book I’ve ever read.  David Foster Wallace may not know how to end a novel (or even edit one), but he sure knows how to write an article!  And....those two are the only truly notable titles on that second shelf.  Hm.




Case 5 – Bottom Shelf


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More Marilyn books?  Good lord, man!  Get a hobby!  The most meaningful one here is the Christie’s catalog of Marilyn’s personal effects, which were auctioned off and aired on the AMC channel several years back.  I taped the auction while I was watching it, and I have to say it’s one of the saddest things I’ve ever seen on TV.  To watch those physical representations of a film legend scatter to the wind was heartbreaking.  Who knows where all those dresses, shooting scripts, shoes, pieces of furniture, etc., ended up....  Two other important books are the ones by James Haspiel, a guy who, as a teenager, hung out with Marilyn when she was living in New York City for a brief time in the late ’50s.  He is a lucky bastard, and his books are pretty interesting. 




Case 6 – Top Shelf


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I love the Doors, but Jim Morrison is a terrible poet.  Or at least he was a terrible poet when he wasn’t writing songs.  I have both volumes of his poetry sitting on this shelf and I don’t think I could turn to a single page that isn’t full of crap.  Sorry, Jim.  Gurdjieff’s book Beelzebub’s Tales to His Grandson is a little difficult to get through, but I think it’s worthwhile.  Lots of other people think it’s bullshit.  You’ll have to form your own opinion.  And then there are the Harry Potter books.  What could I possibly say about those that you don’t already know?





Case 6 – Second Shelf


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Most notable here is the book Julie made for me (front and center).  Just looking at it makes me feel all warm and fuzzy inside!  The Tao of Pooh is perhaps the most important book I’ve read in my life.  If that makes me sound trite or gullible, so be it.  But have you ever read a book that described you to yourself in such a way that it felt like someone had just hit you over the head with a Revelation Wand?  That’s what The Tao of Pooh did for me.  Hence the rest of the books in its immediate vicinity.  My mom gave me The Tao of Pooh for Christmas one year, and I don’t think she has ever realized just how important it has been to me.  I should probably tell her.

Also on this shelf are some Western philosophy books, but I tend to find Western thought a little fuzzy once I get past the basics of Kant.  Thus, Kant and Emerson are about the extent of my Western philosophy collection.  Oh, and the Bible, which I got for Easter one year and have never actually read.  I am a heathen. 

FYI, I have no idea what book is missing from this shelf.  Spooky, huh?




Case 6 – Third Shelf


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The presence of The Ayn Rand Lexicon on this shelf should in no way indicate to you that I am an Objectivist.  On the contrary, I consider Rand’s criticisms of Kant, Hume, Plato, and other philosophers to be a bit wacky, but Rand is nonetheless an interesting character to me.  In terms of her fiction I have only slogged through The Fountainhead and what I took away from it, chiefly, was this:  Ayn Rand had absolutely no sense of humor whatsoever.

My Encyclopedia of Card Tricks is a leftover from my childhood days when I had a big interest in magic.  These days I can’t remember a single trick I learned from that book, but there were a few good ones.  The two chess books were bought shortly after I read Neville’s The Eight and Nabokov’s The Defense in short succession, but I’ve never actually learned how to play chess.  (By which I mean that I know how the pieces move, but I don’t know any of the strategy.)

Then we have all my inspirational how-to section.  I’m not a big believer in how-to books, but I can’t get enough of writing books.  I don’t care if the person who wrote a “how to write” book has published nothing but the book about how to write—I’ll read it.  Because they really do inspire me to get on with my writing, and for that reason they’re worth my time.  Thanks to Robert McKee and Syd Field I have finished a screenplay based on Matthew Lewis’s The Monk (see bookcase 5, first shelf), and started another original screenplay.  They will never get turned into movies, but they sure have been fun to write.




Case 6 – Fourth Shelf


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My very tiny reference section.  Really, just four of these books are truly useful to me.  First is The Encyclopedia of Literature, which has entries on everything from Abu Tammam to Philip K. Dick and transcendentalism to “Sir Gawain and the Green Knight.”  This is the kind of book that I can pull off the shelf to look up just one entry, and two hours later I’ll realize that I’m still flipping through it. 

Asimov’s Chronology of the World is probably the best one-volume history of the world in print, and I’m not just saying that because I have a soft spot for Isaac Asimov.  His entries (broken down by era and by country/region) are concise, deeply informative, and at time pretty funny.  What can I say?  The man was a total badass. 

The Writer’s Handbook 1996 is a decade out of date at this point, but it’s still a good resource for how to get published.  Granted, I haven’t actually been published, but it sure seems like it would be helpful.... 

Finally, the Comic Values Annual 2001, though also out-of-date, is handy to have lying around whenever I want to look up an old comic book.  I don’t know why I don’t have a copy of Overstreet’s Price Guide, as that is the industry favorite.  I used to have one back in the mid-’80s, but it’s long gone. 




Case 6 – Fifth Shelf


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Here’s the shelf that’s all about movies (and a few TV shows).  Videohound’s Golden Movie Retriever 2005 is a lot like The Encyclopedia of Literature in that I can get lost in it pretty easily.  The Internet Movie Database has replaced it for quick lookups, but the IMDB can’t replace the Videohound when it comes to concise, level-headed reviews.  I give this book four bones!  (That’s a lame joke you’ll only understand if you have your own copy of the Videohound.)

Yes, I am a Star Trek nerd.  This is a simple fact of my existence, like the fact that I’m from the Midwest.  There’s nothing I can do to change it, so I embrace it.  Yay, Star Trek!

Also on this shelf are four illustrated screenplays for Ghostbusters, Bram Stoker’s Dracula, Blade Runner, and Terminator 2: Judgment Day.  Four awesome movies, and you’re not allowed to argue with me.  They’re awesome, I tell you! 

Danny Peary is my all-time favorite movie critic.  The three Cult Movies books provide long essays on 200 cult movies such as Daughters of Darkness, Faster, Pussycat! Kill! Kill!, A Boy and His Dog, The Warriors (“Can u dig it, hubbabub?”), Reefer Madness, The Wickerman,  The Texas Chainsaw Massacre, etc.  Unlike most other film critics (such as Pauline Kael, David Denby, or—ugh—Leonard Maltin) I pretty much agree with everything Danny Peary wrote about these movies.  (For example, yes, Zardoz was a stupid movie because who in his right mind would want everlasting life in such a boring, sterile environment?  And yes, Plan 9 from Outer Space is a horrible, horrible movie, but at least Ed Wood instilled it with a message he felt passionately about, which is something you can’t say about 100 percent of Hollywood’s bloated summer blockbusters.  So just because the acting is better in, say, X-Men United than in Plan 9 from Outer Space, does that make Plan 9 from Outer Space a worse film?  The answer, obviously, is no.)  And he provides a lot of great behind-the-scenes info on these films as well.  So what I’m saying is that these three books are my three favorite books about movies.

I don’t know why Kurt Cobain’s Journals is on this shelf.

Rebel scum alert:  Star Wars roleplaying game books in sight!  Note, The Making of Episode 1 book was bought before the movie came out in theaters and I realized that George Lucas had ruined my childhood memories.




Case 6 – Bottom Shelf


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More art books, including my absolute favorite sci-fi illustrator: Michael Whelan.  He’s a big part of the reason why I loved Isaac Asimov’s books so much as a kid.  I would stare at Whelan’s cover to Asimov’s Foundation’s Edge for hours at a time.  And that’s just partly hyperbole.  It was the first Whelan cover I saw, and I was hooked from then on.  Now he’s rich enough that he doesn’t actually take cover commissions anymore, which is too bad.  But some of the coolest sci-fi covers of all time are between the covers of these two art books.  Even cooler, the slipcased edition of The Art of Michael Whelan has a frontispiece that Whelan hand-colored. 

Edward Hopper, George Tooker, and Tamara Lempicka are my three favorite “fine” artists (if one should even make that distinction).  Then I have some more cult movie books, a sourcebook about Alan Moore’s Miracleman, and some books on animated cartoons, as well as two how-to books on cartooning.  I bet lap has a copy of How to Draw Comics the Marvel Way, don’t you lap?  Because everyone who read comics in the ’70s and ’80s had a copy of this book.  It was practically issued to you as you walked in the door to your first comic book shop.  Ahh, those were the days....




Jeez, this will probably go down in history as the longest entry in the diary.  Or close to it, anyway.  If you made it this far, congratulations!  As a reward, the ultimate answer to the meaning of life, the universe, and everything is 42.

Tuesday, June 13, 2006

Book Crazy, part 2


Picking up where I left off last time, here are two more bookcases for your viewing pleasure.  And, just to prove I’m not one of those guys who only reads comic books, you won’t find a single comic book on these shelves. (Though there are a few books in there that are about comics, and several art/illustration books—some of which feature art by guys and gals who work in comics.  Deal with it!) 




Bookcases No. 2 & 3


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I’m particularly fond of these two because they have nice gewgaws and knick-knacks on the shelves.  Classy, no?  The right-hand one also, oddly enough, seems to house an apparent jellyfish (see upper right corner of photo).  How the hell did that get there?




Case Two – Top Shelf


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Here we have three of my favorite writers:  Vladimir Nabokov, Franz Kafka, and Philip Roth.  They are bookended by some of my favorite novels by writers whom I have yet to explore more fully (particularly Italo Calvino, whose If on a Winter’s Night a Traveler blew my mind). 




Case Two – Second Shelf


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Don DeLillo is the champion of this shelf, despite the presence of House of Leaves, The Amazing Adventures of Kavalier and Clay (which I’m reading right now at hubbabub’s urging, and for which I’ll be forever grateful to her), The Illuminatus! Trilogy, and The Collector—four of my favorite books.  DeLillo outshines them all.  White Noise is the Great American Novel as far as I’m concerned.  I’d consider Underworld the Second Great American Novel if only it had a bit more plot and a bit less aimlessness.  In any event, DeLillo is a God of Letters and kicks Pynchon’s ass (he said, realizing fully that three of Pynchon’s novels share this shelf prominently with DeLillo’s works).




Case Two – Third Shelf


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More books I love shamelessly:  Blue Angel had a disappointing ending, but was still an excellent commentary on contemporary sexual politics in a university setting.  Paul Auster is without peer in his own corner of American letters, and John Fowles is definitely my favorite British writer.  Kurt Vonnegut’s Timequake made me cry, and boy does it suck that Douglas Adams is dead and there will be no more Hitchhiker’s sequels!




Case Two – Fourth Shelf


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Hm.  Not much here to talk about.  I love Katherine Neville’s The Eight, and I found that copy of Hearken unto the Voice in a cavernous used bookstore for a dollar, and it has this beautiful turn-of-the-century inscription on the first half title page.  I’ve never read the book itself, though.  Full of Secrets is a collection of essays about Twin Peaks, but unfortunately most of them are only so-so and tend not to explore the things about the show that I find so fascinating.  Future Noir is a fantastic behind-the-scenes look at the making of Blade Runner and there are tons of great anecdotes contained therein, but I find the book depressing because I hate having the knowledge that the people who made such a beautiful, humane movie could hate each others’ guts so completely. 




Case Three – Top Shelf


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I am in love with my leatherbound slipcase editions of The Hobbit and The Lord of the Rings.  I’ve never actually read all of The Lord of the Rings (I gave up after taking one entire summer vacation to slog through “The Fellowship of the Ring”) but so what?  This book is beautiful!  Look at it!  (Actually, this photo doesn’t do it much justice.)  The accompanying “leatherbound” books containing Shakespeare, Dickens, and Poe are not as nice, but they do the trick.  When I was a kid Edgar Allan Poe, Oscar Wilde, and Isaac Asimov (more on him later) were my three favorite authors.  I just re-read Wilde’s “The Importance of Being Earnest” recently and it’s still as funny as I remember it being.  E. E. Cummings was, always has been, and always will be my favorite poet.  That hefty volume contains every last poem he ever wrote, and it is comforting to have.




Case Three – Second Shelf


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This shelf has some great short story collections by some of my favorites:  John Updike, Harlan Ellison, Truman Capote, T. C. Boyle, etc.  The green guy is Chac-Mool, which I bought while on vacation in Chichen Itza several years ago.  See?  Cool knick-knacks.




Case Three – Third Shelf


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Harold Bloom’s The Flight to Lucifer is a sequel to David Lindsay’s fantasy novel A Voyage to Arcturus, and remains Bloom’s only attempt at fiction.  He disowned it shortly after it was published in 1979 and has not allowed it to be reprinted since.  It is clearly a point of embarrassment for one of the greatest critical thinkers of our time, and for that reason alone I’m glad to have it because it proves that even the smartest among us can do things they later regret with vehemence—though, as with The Lord of the Rings, I’ve never actually read it. 




Case Three – Fourth Shelf


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I am gravely disappointed in this shelf’s asymmetry.  As you may have guessed by now, I shelve books by size, not by alphabet.  This particular shelving arrangement is a product of my recent rearrangement of the shelves based on the addition of a new bookcase where my VHS tapes used to live, and it will need to be fixed eventually.  But enough about my OCD, this shelf contains—hey, I lied!  There are some comics on this shelf!  Just four, but still—they snuck through....  Anyway, this shelf contains art books by some of my favorite fantasy illustrators (Brom, Woodroffe, Parkinson), a book that Max would absolutely hate called Hippie, and the well-worn diaries of Anaïs Nin.  Sometimes Nin is a bit too “I am the goddess of pure literature!” for my tastes, but she still knew how to write a great diary.  Which is to say there’s lots of sex in it.




Case Three – Bottom Shelf


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Bam!  Art books.  The book with the Japanese kanji near the left-hand side of the shelf was given to me as a gift by a Japanese colleague back when I worked for a comic book publisher.  We were doing some business with a Japanese wholesaler and when I expressed admiration for this beautiful, $75 book at their booth, one of the girls who was manning the booth gave it to me.  I felt guilty as hell but she refused to take it back or to let me pay for it.  So every time I look at this book it reminds me to be careful around Japanese folks.  Because they will give you anything you ask for.

So many great books on this shelf.  Carlos Schwabe is my favorite Symbolist.  Tex Avery is my favorite cartoonist.  George Petty is my favorite pinup artist....  Mark Harrison is a great book jacket illustrator from the UK.  I don’t think his work made it over to the States too much, which is a shame because he’s nearly as good as Michael Whelan (more on him later).  Luis Royo is pretty awesome, but I get the sense he’s a bit crazy in the head.  I could be wrong, though.  His artistic reinterpretations of Pierre Boulle’s Planet of the Apes in III Millennium are stunning.   Judson Huss and Jacek Yerka are incredibly creative artists who have summoned some images that scare the hell out of me, which is pretty cool.  Gustave Doré’s woodcut illustrations are beautiful, and Mucha’s pioneering Art Nouveau style makes him practically the artistic grandfather of every band poster artist of the ’60s and ’70s, as well as every comic book illustrator of the last 100 years.  Adolf Wölfli is a folk artist who spent most of his time in an insane asylum.  His work is crazy, too, but in the good sense. 




Woo-wee!  Another two bookcases down.  Nine to go.  Hang in there!